Chapter 20 – 16th Century Art in Italy

CHAPTER 20

Sixteenth-century art in Italy

20 MULTIPLE CHOICE 1. __________ and Michelangelo were in the service of Pope Julius II in the early years of the sixteenth century. A. Raphael B. Pontormo C. Brunnelleschi D. Tintoretto Page reference: 659 2. Charles V was elected __________ in 1519. A. King of France B. Duke of Milan C. Holy Roman Emperor D. Duke of Florence Page reference: 660 3. Leonardo was strongly influenced by the Roman architect __________. A. Publius. B. Constantine. C. Augustus. D. Vitrivius. Page reference: 665 4. Michelangelo’s Pietà (figure 20-9) is one of the great tomb markers in the __________ . A. Gesù. B. Palazzo. C. Vatican. D. Tempietto. Page reference: 669 5. In Michelangelo’s Sistine Chapel Ceiling (figure 20-12), the spandrels and the __________ depict the ancestors of Jesus. A. rails B. pedestals C. lunettes D. posts Page reference: 673

6. Michelangelo made the sculpture Moses (figure 20-15) for the Tomb of __________. A. rails. B. pedestals. C. Julius II. D. posts. Page reference: 675 7. Michaelangelo made the sculpture Moses (figure 20-15) for the tomb of __________. A. Clement. B. Ferdinand. C. Julius. D. Leonardo. Page reference: 675 8. __________ used the Doric order for the Tempietto (figure 20-17) because Vitruvius had specified it for temples. A. Raphael B. Michelangelo C. Bramante D. Buontalenti Page reference: 677 9. The first architect of the Palazzo Farnese (figure 20-18) was __________. A. Sangallo. B. Bramante. C. Michelangelo. D. Maderno. Page reference: 678 10. Federigo Il Gonzaga enticed Guilio Romano to build a palace in __________. A. Florence. B. Mantua. C. Rome. D. Siena. Page reference: 680 11. The Tempest (figure 20-23) is the most famous work of __________, a short-lived painter. A. Romano. B. Corregio. C. Rossi. D. Giorgione. Page reference: 683 12. Venetian art of the 16th -century is characterized by luxury, idealized style, and __________. A. oil painting technique. B. widespread use of gold. C. the return to tempera. D. the reemergence of painted terra cotta. Page reference: 682 13. The current attribution of The Pastoral Concert of Allegory on the Invention of Pastoral Poetry (figure 20-24) is to the artist __________. A. Titian. B. Giorgione. C. Corregio. D. Pontormo. Page reference: 684

14. Titian created one of his great paintings of a __________ for the Duke of Urbino. A. Pietà B. nude C. Madonna D. landscape Page reference: 686 15. Mannerism was the first style supported by the Catholic Church as propaganda for the __________. A. Protestants. B. Sack of Rome. C. Counter-Reformation. D. Inquisition. Page reference: 687 16. Though she collected art by many artists, Isabella d’Este was a great patron of __________. A. Raphael. B. Pontormo. C. Mantegna. D. Bronzino. Page reference: 688 17. Michaelangelo abandoned the clear separation between the saved and the damned in __________ (2 words) with his complex composition. A. Last Judgment B. Last Supper C. the Pietà D. Rondanini Madonna Page reference: 688 18. Pietà (or Rondanini Pietà) is one of Michaelangelo’s great __________ works. A. nonfinito B. Vatican C. 4100 D. 2300 Page reference: 690 19. __________ was the first architect of Il Gesù. A. Romano B. Michelangelo C. Vignola D. Bramante Page reference: 691 20. Giacomo della Porta’s design of Il Gesù (figure 20-32) was widely influential because of its two-story __________. A. projection. B. cantilevering. C. corbelling. D. design. Page reference: 692

21. __________ is the style marked by its self-aware elegance and grace to the point of artifice. A. Venetian B. Renaissance C. Veneto D. Mannerism Page reference: 692 22. The Capponi Chapel contains Entombment (figure 20-34) by the artist __________. A. Pontormo. B. Romano. C. Tintoretto. D. Veronese. Page reference: 693 23. Francesco Mazzola, otherwise known as __________, painted in a manner calculated to unsettle viewers. A. Corregio B. Veronese C. Tintoretto D. Parmigianino Page reference: 694 24. Bronzino’s Allegory with Venus and Cupid (figure 20-37) could stand alone as a summary of __________. A. Veneto. B. Renaissance. C. Mannerism. D. Inquisition. Page reference: 695 25. The __________ permits us to date The Farnese Hours (figure 20-38) by Guilio Clovio. A. colophon B. ink C. vellum D. gilding Page reference: 696 26. Sofonisba Anguissola’s father consulted with the artist __________ about his daughter’s artistic talents. A. Tintoretto B. Michaelangelo C. Cellini D. Veronese Page reference: 696 27. Cellini made his most famous work in the French court at __________. A. Fontainebleau. B. Avignon. C. Nice. D. Paris. Page reference: 697

28. The city of __________ was especially hospitable to accomplished women painters and sculptors. A. Florence B. Venice C. Bologna D. Rome Page reference: 698 29. By the end of the 16th -century, the city of __________ was regarded as the “Queen of the Adriatic.” A. Florence B. Venice C. Rome D. Bologna Page reference: 699 30. __________ was called before the Inquisition for placing Jesus in the company of unsavory characters in the painting Feast in the House of Levi (page 700). A. Michelangelo B. Romano C. Tintoretto D. Veronese Page reference: 700 31. The artist __________ proclaimed he wanted to combine Titian’s color with the drawing of Michelangelo. A. Michelangelo B. Romano C. Tintoretto D. Veronese Page reference: 701 32. Palladio’s Villa Rotunda (figures 20-46 and 20-47) is a perfect articulation of his idea of __________. A. ideal proportion. B. irregular proportions. C. asymmetry. D. curvilinear design. Page reference: 704

Fill-in-the-blank 33. Pope Julius II’s private library was painted by __________. Answer: _______________________________________________________ Page reference: 659 34. The Catholic Church responded to the __________ with the Counter-Reformation. Answer: _______________________________________________________ Page reference: 660 35. Charles V sacked __________ in 1527. Answer: _______________________________________________________ Page reference: 661

36. Giorgio __________ wrote the first survey of Italian art in 1550. Answer: _______________________________________________________ Page reference: 661 37. The use of tempera gave way to __________ painting technique in the High Italian Renaissance. Answer: _______________________________________________________ Page reference: 662 38. The Last Supper (figure 20-2) by Leonardo was painted at a monastery in __________. Answer: _______________________________________________________ Page reference: 663 39. A full-scale drawing called a __________ is a model for a major painting. Answer: _______________________________________________________ Page reference: 664 40. The __________ is a small shrine over the spot where the apostle Peter was believed to have been crucified. Answer: _______________________________________________________ Page reference: 677 41. The __________ was described in 1530 as a small landscape in a storm with a gypsy woman and a soldier. Answer: _______________________________________________________ Page reference: 683