PowerPoint Slides - IU School of Liberal Arts @ IUPUI

January 18, 2018 | Author: Anonymous | Category: Arts & Humanities, Performing Arts, Drama
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Unit 2, Lecture 2: Oedipus the Detective: The Price of Knowledge in Oedipus the King

Plot and Theme of Oedipus • Oedipus as the story of a man who solves a mystery only to destroy himself • Fate, self-will, and honest love of truth work together to produce a dramatic disaster which I’ll examine through – Analysis of plot structure (exposition, rising action, climax, resolution) and – Application of Aristotle’s theory of tragedy • This story of a man who is destroyed through his own quest for knowledge exhibits a common Sophoclean theme: the tragic self-understanding of a hero causes him to rise above the forces which have brought him low

A look at the major characters • Oedipus, a “detective” out to solve the mystery of Thebe’s plague: he believes in the intellect’s conquering power and who exhibits “excess” in two areas – His will to remove all obstacles – His hunger to solve all riddles

• Tiresias, the blind prophet whose direct knowledge of truth convinces him that knowledge is sorrow. • Jocasta, the wife of Oedipus who is an ally of Tiresias in letting “sleeping mysteries lie • Creon, brother of Jocasta who, falsely accused of usurping Oedipus, ironically winds up as king in his place • The Chorus: the Theban citizens who trust in Oedipus’s capacity to deliver them while fearing his tendency to immoderation.

Plot Structure of Oedipus: Exposition • Introducing the conflict • Introducing Oedipus’s Character and History – A man of brilliant intellect who has delivered a city through solving a mystery (44-5) – A man of action (82) – A man of impatience and self-will (98-105) – A man of great pride (147—155)

• The parodos (entry of chorus) expresses meaning of the exposition: – A hunger for rescue – A plea to the gods

• The parodos prepares the way for the episodes of the rising action in which conflict and character will produce a series of “complications”

Rising Action: lst and 2nd “Complication” • “Solution” of plague’s mysterious cause only gives rise to the first complication: who killed former King? – Oedipus’s demand and Oedipus’s curse – Attempted solution: Call in Tiresias – Gives rise to second complication

• Why is Tiresias saying these terrible things about me? – Tiresias is reluctant (“How terrible—to see then truth/when the truth is only pain to him who sees’ [358])” – Accusatory: “You are the murderer whom you seek! (413)” – Riddling: “This day will bring your birth and your destruction” (499) [See also 516-525) – Attempted solution (1): a “conspiracy between Creon and Tiresias – Attempted solution (2): Prophecies do not need to be feared • As we shall see, this leads to a third complication.

Rising Action (Cont.) • Who did Oedipus kill at the triple crossroad? – What Oedipus fears – What Oedipus reveals – How Jocasta tries to reassure

• First stasimon: – What the chorus hates: – What the chorus dreads

Rising Action: Complications (concluded) • A new hope and a new mystery – A messenger brings tragic news – Sad news leads to a joyful hope – The latest hope gives way to the final mystery

• Who are Oedipus’s parents? – The mystery has changed – The protagonist’s character is fully revealed – The climax is now prepared for

Climax: The Truth at Last • The Corinthian messenger once took a baby from the hands of a Theban Shepherd • That Shepherd is the one Oedipus has sent for • The will-to-power has been purified into a will to knowledge • The reversal of his fortune coincides with the recognition of the truth – Aristotle on “peripeteia”

The Resolution • Jocasta’s death Oedipus’s self-blinding – Truth for him is a darkness leading to darkness – Light not needed because everything he sees is now a source of horror – But beyond the horror of what he finds, is the dignity of his courageous recognition. Purified by his sufferings, Oedipus’s speeches at the end of the play cause us to think more of his courage than his curse.

• And as the chorus says, “count no man happy till he dies’ we experience to the full the emotions of “pity and fear” that Aristotle says is the aim of all worthy tragedy.

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