Production Notes - Lionsgate Publicity

April 29, 2018 | Author: Anonymous | Category: Arts & Humanities, Performing Arts, Drama
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For additional publicity materials and artwork, please visit: www.thedivergentseries.com www.lionsgatepublicity.com Rating: PG-13; for intense violence and action throughout, some sensuality, thematic elements and brief language Run Time: 118 minutes For more information, please contact: Jennifer Peterson Lionsgate 2700 Colorado Avenue Suite 200 Santa Monica, CA 90404 P: 310-255-5066 E: [email protected]

Mike Rau Lionsgate 2700 Colorado Avenue Suite 200 Santa Monica, CA 90404 P: 310-255-3232 E: [email protected]

Jodie Magid Lionsgate 75 Rockefeller Plaza 16th Floor New York, NY 10019 P: 212-386-6885 E: [email protected]

After being exposed as Divergents—people who don’t fit neatly into one of the five societal classifications or “factions”—Tris (Shailene Woodley) and Four (Theo James) find themselves on the run from Jeanine (Kate Winslet), the power-hungry leader of the Erudite faction. As the traitorous Dauntless troops under Jeanine’s command prowl the ruins of dystopian Chicago rounding up Divergents, Tris and Four traverse the city hoping to find allies among the Amity, Candor, Abnegation and Dauntless factions—as well as the rebellious and impoverished mass of Factionless. Although heartsick and guilt-ridden over the violent deaths of her family and friends, Tris tries to uncover the secret her parents sacrificed their lives to protect - the very secret that explains why Jeanine will stop at nothing to capture her. Desperate to avoid causing pain to any more of her loved ones, Tris faces her darkest fears in a series of near-impossible challenges as she seeks to unlock the truth about the past, and ultimately the future, of their world. Filmed on location in Atlanta, the futuristic action-adventure The Divergent Series:

Insurgent is directed by Robert Schwentke from a screenplay by Brian Duffield and Academy Award®-winner Akiva Goldsman and Mark Bomback, based on the novel “Insurgent” by Veronica Roth. It stars Golden Globe Award®-nominee Shailene Woodley, Theo James and Academy Award®-winner Kate Winslet. Academy Award®-winner Octavia Spencer, Naomi Watts, and Daniel Dae Kim join returning cast members Jai Courtney, Ray Stevenson, Zoë Kravitz, Miles Teller, Ansel Elgort, Maggie Q, and Mekhi Phifer. Young actors Emjay Anthony, Keiynan Lonsdale, Rosa Salazar, Suki Waterhouse and Jonny Weston also join the cast. The film is produced by Douglas Wick and Lucy Fisher through their Red Wagon Entertainment banner, along with Pouya Shahbazian. Executive producers are Todd Lieberman and David Hoberman, through their Mandeville Films banner, along with Barry Waldman and Neil Burger. Director of photography is Florian Ballhaus, ASC (The Book Thief, RED). Production designer is Alec Hammond (Non-Stop, RED). Editors are Nancy Richardson, ACE, (Divergent, Warm Bodies, Twilight, The Twilight Saga: Eclipse) and Stuart Levy, ACE (Foxcatcher, Nim’s Island). Costume designer is Louise Mingenbach (Superman Returns, XMen: Days of Future Past). Original score is composed by Joseph Trapanese (Transformers: Age of Extinction, Oblivion). Music supervisor is Randall Poster. Second unit director and visual effects supervisor is James Madigan (Iron Man 2, RED). Co-Producers are Veronica Roth, John Wildermuth and Charlie Morrison. Casting directors are Mary Vernieu, CSA and Venus 2

Kanani, CSA.

The Divergent Series: Insurgent will be released in 2D as well as digitally remastered and released in Digital 3D, IMAX® 3D and RealD™ 3D for its domestic theatrical release on March 20, 2015.

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THE DIVERGENT SERIES: INSURGENT: TEARING UP THE DIVERGENT WORLD

The Divergent Series: Insurgent picks up three days after the end of Divergent, when Tris and Four narrowly hindered Jeanine’s plot to use mind-controlled Dauntless troops to exterminate the population of Abnegation. But the victory comes at a terrible personal cost for Tris. Both her parents are killed in the battle, as is her fellow Dauntless initiate Will, whom she is forced to shoot when he attacks her under the influence of a brainaltering serum. Like Divergent, The Divergent Series: Insurgent is set in the ruins of a futuristic, walled Chicago where survivors are divided into five factions based on their abilities, temperaments and personal preferences. Members of the Abnegation faction are selfless, Amity are peaceful, Candor are honest, Dauntless are brave and Erudite are intelligent. Those who belong to no faction are known simply as Factionless. In the first film, Beatrice “Tris” Prior, who grew up as Abnegation, learns through a government-administered aptitude test that she is Divergent, meaning she has attributes of multiple factions. Because Divergents are independent thinkers who cannot be controlled by any faction, they are considered dangerous. Upon learning her traits put her at risk, she chooses to join Dauntless to conceal her Divergent identity. But as part of her rigorous training, she is forced to take part in hallucinatory simulations (SIMs) that reveal her unique abilities. She finds a much-needed ally—and eventually a love interest—in Tobias “Four” Eaton, a Dauntless instructor and expert fighter who is also revealed to be Divergent. In Insurgent, the stakes and the action are raised dramatically as Divergents are hunted throughout the city by Jeanine’s brutal militias and Tris and Four realize they must find a way to stop her. “From the first pages of the book Insurgent, we knew that Veronica Roth must have been drinking rocket fuel when she wrote the story,” says producer Douglas Wick. “It starts with Tris being chased, and the action never lets up. We built the world in Divergent and now in Insurgent, we tear it up.” At the beginning of The Divergent Series: Insurgent, Jeanine locates an elusive five-sided locked box with each side bearing the seal of each faction. She is convinced it contains a message with the key to the future which can only be unlocked by a Divergent possessing qualities of all five factions. Jeanine hunts down all the Divergents she can find 4

and puts them through a rigorous testing process to see who can open it. They must endure five different SIMs, which are far more brutal and violent than any that appeared in Divergent. For the filmmakers, that meant creating more eye-popping action scenes, many of which occur in the far more challenging and terrifying SIMs that Tris is forced to take part in as Jeanine seeks to unlock the secrets of the Divergents’ power. This mind-bending action is just one of the aspects of The Divergent Series: Insurgent that raises the bar and accelerates Tris’ exciting story that readers know and love. “The book release of Insurgent was when the Divergent series truly took off and became a publishing phenomenon. Veronica wrote a roller coaster of a book with incredible twists and turns that really captured the imagination of fans, who spread the word like wildfire,” says producer Pouya Shahbazian. “In Insurgent the city is in upheaval and new secrets are coming to light. While in the first movie, Jeanine pinpoints the Divergents as being a problem she wants to eliminate, in this movie, we learn very quickly that Jeanine is determined to capture them and use them to discover a powerful secret to which only they hold the key..” According to Roth, writing Insurgent allowed her to flesh out Tris’ world in a way she wasn’t able to do in Divergent, partially because the first book was written in the first person. “It’s a little bit like growing up,” the author says. “When you’re a child, the world is very small, and when we get older, we realize how large the world really is. Insurgent is the world getting a little bit bigger and Tris is experiencing that in a very literal way … first it’s one faction, then it’s two factions, then it’s the entire city of Chicago.” With Tris and Four on the run and searching for answers across the war-torn city, the audience is taken on a journey through the unique and visually arresting environments inhabited by each faction. “In the first film, we saw these fun and visceral full-metal-jacket training sequences, but they were confined to the dark and gloomy Dauntless compound for much of the film,” says Wick. “In this movie, we start off in the beautiful lush fields, honeycomb beehive dome and signature tree of Amity. Then they travel to Factionless, where we see this curiosity of functionality and aesthetics in a wondrous, slightly enchanted and disenfranchised place. Then the characters go to Candor and we encounter what these starkly dressed, unrelentingly honest people are like, and finally we check out the depths of the Erudite world inside Jeanine’s high-tech lab.”

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The most impressive landscapes in the film, however, may be those that take place inside Tris’ mind. After a number of attacks on the factions who have provided refuge to Tris, Four and the Dauntless rebels, Tris realizes that the only way to stop Jeanine from hurting anyone else is to turn herself in to Jeanine at Erudite headquarters. When she surrenders herself there, Jeanine subjects her to an increasingly intense series of SIMs. “The SIMs are a defining characteristic of this movie in terms of style and tone,” says producer Lucy Fisher. “The internal forces influencing Tris are even more dramatic, more colorful, and more riveting than the external ones. In her SIMs, she has to contend with all of her demons and, luckily for us, director Robert Schwentke and visual-effects-maestro James Madigan concocted a way to show us what’s inside Tris’ head that’s so visual and so exciting that even though her dreams are torturous for her, they’re really exciting for us to watch.” Shahbazian agrees, “The SIMs are so action-packed and so imaginative. They have taken what Veronica wrote and added to them, made them more explosive and more cinematic with the most cutting edge filmmaking technology available today.” “The Divergent Series: Insurgent is a high-octane action-adventure packed with excitement and suspense,” says Erik Feig, Co-President of Lionsgate’s Motion Picture Group, who also played an instrumental role in the development and production of blockbuster book-based franchises The Hunger Games and The Twilight Saga. “It combines a riveting plot, an extraordinary cast and a lot of heart with intense stunt work and visual effects to deliver an extremely satisfying and unique movie-going experience.” To provide audiences with the ultimate way to enjoy The Divergent Series: Insurgent’s mind-blowing visuals and sound, Lionsgate is also releasing the film in IMAX ® 3D and RealD™ 3D. “The film will be released in RealD™ 3D but it has also been digitally re-mastered using IMAX®’s unique, proprietary technology,” said Feig. “The crystal-clear images, coupled with the large-screen format, customized theater geometry and powerful digital audio will make audiences feel as if they are right in the middle of the incredible futuristic world the filmmakers have created.”

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BRINGING A WORLDWIDE PHENOMENON TO THE SCREEN The bestselling novel, Insurgent, was written by author Veronica Roth, whose first novel, Divergent, topped The New York Times Best Seller list after it was published in 2011. Divergent made NPR and Barnes & Noble’s “Best Books of 2011” list and was voted “Favorite Book of the Year” by Goodreads members. Roth wrote the book while an undergraduate at Northwestern University. She soon followed up with Insurgent, which also hit No. 1 on The New York Times Best Sellers list. In 2013 she released Allegiant, the final book in the series, which sold 455,000 copies on its first day to break a company record for HarperCollins. Pre-orders for Allegiant exceeded those of any book in the history of HarperCollins. As they adapt Veronica Roth’s best-selling book series, the filmmakers are ever aware of the immense responsibility that comes with bringing a beloved author’s work to the screen. “The Divergent series has sold well over 30 million copies,” notes Wick. “Whenever we got a little lost about what liberties to take in streamlining the story, we always remembered that Veronica was the oracle. Whatever good idea any of us thought we were having, we also remembered people bought Veronica’s books, not ours.” According to Fisher, having Roth available to discuss production and plot issues with was priceless. “We’re very lucky to have a living author to consult with,” she says. “On our last movie (The Great Gatsby) F.Scott Fitzgerald wasn’t really available. Veronica was very much a part of this process as a resource and sounding board.” Roth says she appreciates the care the producers put into adapting her work. “Doug and Lucy have a lot of respect for the story and that’s a huge asset,” says the author. “They understand what works and can pinpoint what will be difficult to translate.” Although the filmmakers made every effort to stay true to the themes and characters of the books, Roth understood that some changes needed to be made to present the 544page novel in a two-hour movie. “In the book, there’s more freedom to do a weird structure and explain things slowly. But on screen, it has to be fast and concise and clear. I’m always really open-minded to change as long as it creates a better and stronger story. One thing that was very important to me was to ensure that the dynamic between Tris and Four remained the same, and that she is still the primary mover of the plot. And in Insurgent, it is still Tris’ story.”

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CASTING THE DIVERGENT SERIES: INSURGENT Golden Globe®-nominated actress Shailene Woodley and Theo James return to lead the cast of The Divergent Series: Insurgent. “One of the real accomplishments of Divergent was Tris Prior, whom Shailene created on screen,” comments Wick. “As The

Divergent Series: Insurgent begins, she is haunted by grief. She is a warrior consumed with survivor’s guilt. Her world is crumbled. One of her first acts in the story is to cut off her hair. It’s her way of physicalizing her pain, it’s just too much to bear.’” “Tris is guilt-ridden,” Woodley agrees. “She’s lost her mom and dad, and unfortunately, she had to shoot one of her friends to preserve her own survival and stop any further destruction of Abnegation. We find her a little bit numb, and confused. She doesn’t quite know exactly who she is.” Roth says each title in the series was intended to describe a different aspect of Tris. “One of the definitions of the word ‘insurgent’ is someone who rises up in peaceful opposition to an established authority,” the author says. “That is exactly what Tris does in

Insurgent. She’s traumatized from what happened at the end of the first installment, but she has to figure out a different way of fighting the system than with a gun alone.” For Woodley, the darker quality of the second book is part of its appeal. “The story is much more in her head, dealing with traumatic events. I really responded to that. It seemed very psychologically suspenseful. Coming back into this world again, I assumed it would be easy, because we knew the characters and story so well. But the storyline has shifted and the relationship between Tris and Four is evolving, like it does when one member of a partnership goes through something traumatic. “I feel so lucky that Theo and I get to work together,” adds Woodley. “He’s such a class act. We both have similar rhythms and ways of approaching the work. You become a family during filming and then you disperse. But in a franchise, you get to come back and have the comfort of the tribe once again.” For his part, Theo James is thrilled to once again inhabit the character of Four. “It’s great to be back with Shai, because she’s fun to work with and she’s also a great actress,” he says. “It’s fun for us to discover different things together about the characters, and different places that we want to take their unconventional relationship. They are two damaged people who are trying to struggle through a war, which makes it richer and more enticing.”

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James’ character, who is revealed to be a Divergent in the first film, evolves substantially in The Divergent Series: Insurgent. “He can be more open, and he’s fallen in love with Tris,” explains the actor. “His mother, who for years he had presumed was dead, is introduced into the story. She’s going to try and coerce him into joining her as a leader of the resistance. This movie is about his mission to protect Tris and the broader society, and mixed into that are his own personal demons.” Kate Winslet’s character, Jeanine, returns after suffering a devastating defeat to Tris and Four at the end of Divergent. “Jeanine is a psychopath and probably the smartest person in the world,” says producer Lucy Fisher. “And she’s been stung by a bee, so she’s mad and she’s motivated.” Winslet describes her character as “one of those inherently terrible, awful people whose strength comes from a place that is not necessarily genuine or even remotely honest—even though she believes she is being genuine and honest. She is a strong woman who likes power and will stop at nothing in order to get more of it.” Or as Shahbazian puts it: “Jeanine truly believes in using any means necessary, including torture and cruelty, to keep their society functioning. She has a passion for science and for leading the city but applies her own 'natural selection' which makes her even more sinister. The beauty of Jeanine is that she’s a multi-dimensional villain. Kate is fantastic in the role—and your heroes are only as good as your villain.” Kate Winslet relished the opportunity to give audiences a closer look at Erudite and step back into Jeanine’s shoes. She also loved the sleek, ominous wardrobe that helped bring her malicious character to life. “It’s been really nice being able to wear all the cut, fitted dresses that help create such an intimidating villian. It’s made Jeanine feel much more powerful, cattier and nastier. It’s also been great coming back together with everyone else.” Winslet loves how Tris challenges Jeanine’s growing wickedness with an even more intrepid resolve of her own in The Divergent Series: Insurgent. “Tris and Jeanine’s relationship has become a power game,” says Winslet. “Jeanine has a very bizarre and uncomfortable fascination with and admiration for Tris because Jeanine does not have the power to do what Tris can do. She is quite awed by Tris.” The filmmakers recruited an impressive trio of seasoned actors to play the faction leaders: Academy Award®-winner Octavia Spencer portrays the Amity head, Johanna;

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Academy Award®-nominee Naomi Watts leads the Factionless as Evelyn; Daniel Dae Kim is Jack Kang, at the top of Candor society. “Octavia Spencer is a fantastic actress with great energy, and she brings a certain level of integrity to Johanna. She really elevates the part,” says executive producer Barry Waldman. “When you cast somebody with that much talent, her appearance at the beginning of the film really emphasizes a moment in their journey.” Roth met Spencer, who is the author of a series of middle-grade books in addition to being an actress, when they were both speakers at Book Expo America. “It was really fortuitous that Octavia would want to work on this movie because she’s an extremely talented actress and I knew she would do an excellent job,” comments Roth. “And then to top it off, I saw how incredibly nice she is. During filming, she sat at lunch in the big trailer with everybody. She was so down to earth and so funny,” Roth continues. Johanna, whom the author describes as one of her favorite characters in the book series, has a scar on her face, a visible sign that she is a survivor of violence. “Having been through a difficult situation, she recognizes herself in people who have lived through something terrible,” says Roth. “When Tris and Four come to her for help, that’s what makes her put herself and her faction at risk. A really powerful part of her character is that she doesn’t entirely agree with her faction about what to do. That struggle is one of the most interesting parts about her.” The film’s young leads were thrilled to work with the celebrated actress. “Octavia is such a master at this craft because she’s just so pure,” says Woodley. “When she’s on camera she just simply exists, and that’s the greatest gift you can give another actor.” James concurs: “Octavia Spencer was awesome and ingenious, and brought to Johanna this sense of gravitas that she naturally has.” Spencer was impressed with Woodley and James as well. “Shailene is this down-toearth person, and possesses wonderful qualities: vulnerability, openness, approachability. You want to root for her character, Tris, you want her to win—especially since Tris lost most of her family in the first movie. Theo is a very different person from Four. He is gregarious, funny, and really off the cuff and quick. Four is very reserved and guarded and that serves him when he needs to be lethal. But when we see that window into his soul, the way Four is with Tris, we get to see just a little bit of who Theo actually is.”

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Fans and filmmakers alike were eager to find the actress who would play the gamechanging role of Four’s mother. For most of Four’s life he thought his mother was dead, but early into the film, he discovers that she is alive. “Evelyn has a very complicated relationship with her son,” explains Lieberman. “They hadn’t seen each other in a long time, because she left when he was very young. Having been in the dark about her whereabouts (and intentions) for so many years, Four doesn’t know if he can trust her. Does she want to reestablish a relationship with him, or does she just want him to help her take down Jeanine and take control of the city?” Two-time Oscar®-nominee Naomi Watts was cast as Evelyn. “We were really happy when Naomi came on. She plays against the cliché of ‘I’m the strong woman,’” says Fisher. “She is much more mysterious than that. You’re dealing with somebody who has a complicated past and has channeled it into revenge, no matter how long it will take her to execute it. You never know what she is thinking.” Roth was excited to see what Watts would bring to the character, whose motives are unclear to Four—and to the audience. “Naomi Watts is incredibly talented and I was curious what she would do with Evelyn, since you’re not sure if she’s a good guy or a bad guy at any given moment,” the author says. “When you meet Naomi, she’s so petite and unassuming. She’s quiet and clearly a very thoughtful person.” Waldman compares Watts to World War II General George Patton. “Obviously Naomi’s a lot more attractive than Patton, but she also has a very commanding presence when she walks onto that set. When she struts out there in those costumes Louise found for her, it feels like she’s a rock star.” “She is a little frightening,” adds Roth, “because she’s leading this group of people perceived as weak and disenfranchised, and we soon see they’re actually quite strong and capable of challenging the Erudite. Is the enemy of my enemy actually my friend, or just another enemy?” For the role of Jack Kang, leader of Candor, the filmmakers had to find an actor who could credibly play someone addicted to the truth. “We auditioned so many different people, but when Daniel Dae Kim came in we knew he embodied Jack Kang. He’s perfect,” states Lieberman. “Daniel’s got the great authoritative voice; he looks like he’s in control and would tell the truth. His past roles helped him expertly plays Jack’s character as vaguely intimidating, which adds some suspense to Tris and Four’s first encounters with him.” 11

Candor are not warriors or leaders—they’re truth-tellers. According to Kim, “The greatest impact that Candor has is as the moral compass of society. The Candor do not play sides for politics. They’re pure in the sense that all they care about is truth.” Kim, known to television fans as Jin-Soo Kwon on Lost and Chin Ho Kelly on Hawaii Five-0, was attracted to the project for several reasons. “I was impressed and moved that Veronica decided to include an Asian-American male character in her stories,” he says. “From where I sit, there isn’t a lot of representation of Asian-American males in film,” Kim shares. “I give her a lot of credit. It’s not often that an author is able to so clearly describe someone of another race or gender.” Jai Courtney returns as Eric, a Dauntless leader and longtime rival to Four. In The Divergent Series: Insurgent, Eric is firmly on the side of Jeanine, helping her identify Divergents. “This film has even more excitement,” says Courtney. “It’s a different landscape and the script was written to cater to the strengths of the established cast. We all know our characters really well, so there wasn’t that feeling-out process. This was play time!” “Jai’s performance really illustrates the miracle of casting. The character Eric is basically a thug” says Wick. "But Jai has so much inner life, intelligence and humor that he makes Eric a riveting presence in the movie.” “We were very lucky to get Jai,” says Fisher. “He’s becoming a giant star for one thing, but he’s also really funny and smart and brings extra presence and weight and humor to everything he does. He’s also really built and can do his own stunts.” The stunt coordinators were also impressed with Jai Courtney’s athletic ability. “We’ve seen Jai outrun all the tools we use to film actors running,” laughs Darrin Prescott, stunt coordinator. “We’ve had cameramen tracking him, electric grip vehicles driving next to him, octo-copters chasing him, and we’ve had to say to him, ‘Hey man, you’ve got to take a little off because you’ve left the camera behind.’ He’s crazy fast.” Tris’ brother Caleb Prior, played by rising star Ansel Elgort, becomes more central to the plot in The Divergent Series: Insurgent. We discover that the seemingly submissive Caleb is capable of a lot more than Tris has anticipated, a character turn that will undoubtedly excite his ever-growing fanbase. “Ansel just exploded after the first movie. He was only 19 and the way people connected with him was extraordinary,” says Wick. “One of the opportunities in The Divergent Series: Insurgent was to explore the brother-sister 12

relationship further. Even though Caleb does some pretty dastardly things, Ansel manages to convince us that he believes in some greater good, even if it’s at the risk of his own sister’s life.” Elgort relished the opportunity to share screen time with actresses Shailene Woodley and Kate Winslet. “Shai and I have worked together recently on the Divergent movies and The Fault in our Stars. She is the best young actress around right now, so I couldn’t be happier. And Kate Winslet’s obviously a legend.” Miles Teller had a great time reprising his role as the villainous Peter and enjoyed the chance to give audiences an even closer look at his complicated character in The Divergent

Series: Insurgent. Teller explains that Peter wants to align himself with power, and so, lets himself be drawn to Jeanine. But, he says, “Peter eventually gets belittled and tossed aside by Jeanine, and that doesn’t sit well with him. “Peter’s cockiness comes from a place of insecurity,” adds Teller. “But he’s fun because he enjoys giving Tris a hard time, and that’s important. You can’t have everybody just talking about Divergents and factions all the time. You need to have an instigator.” Zoë Kravitz returns as Tris’ best friend Christina, who must forgive Tris for a terrible secret that has come between them. “Everyone’s in a chaotic place,” says Kravitz. “If we weren’t outcasts before, we are definitely outcasts now. At first Christina finds comfort that Tris is alive, but she also feels betrayed by her, not only because of what she finds out happened to Will during Jeanine’s mind control simulation, but because she kept it from her. In Divergent, Christina is often the comic relief. She’s very funny and sarcastic. In this film, you see a darker side of her.” Maggie Q is pleased with the evolution of her character, Tori, in the new film. “Tori was the unwilling mentor to Tris in the first film,” she comments. “Now you see her in a less mysterious light. She’s at Candor headquarters when Four and Tris seek asylum there and are reunited with their old comrades from the first film. Everyone’s been on the run, so in this film, we really see Tori’s dedication to get on board with Tris and Four in the rebellion.” Another long-time Dauntless member is Max, played by Mekhi Phifer, who along with Eric has now sided with Jeanine. “Max and Eric storm Amity, checking to see if anyone is Divergent and will audiences really get to see what evil they are capable of. I like playing the bad guy, even though I’m a good guy in real life,” laughs Phifer. “In the film, we have this new portable scanner that can test on the spot to see if people are Divergent,” he 13

explains. “We have this intimidating conversation with Octavia’s character, who’s wonderful, about how we’re going to test all of her people in Amity. Of course, as their leader, she wants to protect them from us, and an intense struggle ensues.” Abnegation leader and father of Four, Marcus Eaton, played by Ray Stevenson, starts the movie having taken refuge with his son and Tris in Amity. There, as a true politician, he quickly ingratiates himself with Spencer’s Johanna. “Ray is one of my favorite actors and working with him, as the reserved leader of Abnegation, was so much fun. Before we started some scenes, he would serenade me!” laughs Spencer. Several other new young faces are introduced in this installment of the Divergent franchise. Up-and-coming leading man Jonny Weston plays a cunning revolutionary named Edgar who is Evelyn’s second in command of the Factionless. The Edgar character is a new addition to the series, and although he is not featured in Insurgent, he plays an integral role in the film. “Edgar rose through the Factionless ranks and became Evelyn’s right hand [man],” says Weston about his position in the Factionless. “But now that Four has appeared, Edgar feels the threat of losing the position he has held all along, which causes him to instigate a separation within the Factionless.”

The Divergent Series: Insurgent will also introduce audiences to Keiynan Lonsdale, Rosa Salazar, Emjay Anthony and Suki Waterhouse, who play Dauntless rebels beloved by fans of the Divergent trilogy. Their characters are part of the army that escapes Dauntless to unite against Jeanine. “Uriah, played by Keiynan Lonsdale, was one character fromDivergent whom we were unable to include in the first movie because we had too many characters,” says Fisher. “There were so many fans who were vocally disappointed because they loved this character, and so did we. We did a huge casting search for Uriah. We were slightly nervous when Keiynan’s role was announced because the fans had been so rabid about Uriah, who is also Divergent like Tris, but we hit the jackpot with him.” “Only after I actually landed the role did I learn what the fans were saying about Uriah,” admits Lonsdale. “This is the first project that I’ve done that has a built-in fan base. I read the books, so I understand it. I did feel the pressure. I want to do the character justice. “A week after arriving from Australia, I was on a rooftop in downtown Atlanta shooting a gun for the first time,” Lonsdale continues. “Then I got shot myself, and all this

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glass was exploding, everything’s crazy. It was so cool to be above downtown, shooting these amazing scenes and bringing this beloved character to life.” Veteran actors Ashley Judd and Tony Goldwyn as well as Ben Lloyd-Hughes appear briefly in The Divergent Series: Insurgent, even though their characters were killed in Divergent. “My character, Natalie Prior, dies in her daughter’s arms in Divergent,” says Judd. “One thinks Natalie has passed from this world, but in the world of Veronica Roth’s extraordinary imagination, nothing is as it seems. So in this film, Tris gets to re-experience me, but not via the typical storytelling device of a flashback. My appearance as well as her father’s and her friends’ appearances are embedded within this extraordinary world of Tris’ interior psychological landscape.” Cast members were impressed with the new director’s attention to character while creating a big, action-filled film. “Robert Schwentke is incredibly collaborative, and he’s keen on making sure that the first movie is honored, but at the same time he’s imprinting his own voice and colors onto this film. Not an easy task, but he’s doing it gracefully,” comments Woodley. “Even though this is an action movie, he’s committed to the truth of the characters of Tris and Four. He doesn’t really have an ego, which is very rare to find. He’s a true artist.” Co-star James agrees, “As much as we loved working with Neil Burger, it’s nice to have a new perspective that injects the project with a different flavor. Robert’s quite emotional, which is good because he’s great at carrying on the narrative’s character throughlines within the action in The Divergent Series: Insurgent. With all the fun and the gloss of an adventure movie, character is important because there are places they’re going to go. Robert has done that really well, not only for Shai and me, but for Miles’ and Ansel’s characters as well.” “I have been so blown away by working with Robert,” comments Winslet. “I’m a huge fan of Red; I thought that was such a wonderful movie. But I didn’t really know anything about Robert at all. I arrived and this lovely German man started giving me great direction immediately. His ownership of this second movie was very reassuring. This is a man who’s done his homework. He knows exactly the type of story he’s telling and how he wants it to feel, visually and emotionally.” One big change since the first film is that many of the cast members have become 15

full-blown movie stars after appearing in Divergent. “You hire people because you think they’re the best actors around, and rarely do you get to be so right in casting the coolest young people,” comments Wick. “It was an extraordinary thing on Divergent that six of them went on and got the leads in other movies. We got a really good measure of luck in casting the first film.” A WORLD AT WAR: CREATING INSURGENT CHICAGO IN ATLANTA The sequel’s more elaborate sets, wider variety of detailed costumes and bigger action sequences were designed to immerse moviegoers in a world at war in The Divergent

Series: Insurgent, as well as thrust them into the more intense and dangerous SIMs. The five factions of this future society are Dauntless, Abnegation, Erudite, Amity and Candor. Though still set in a future walled-in Chicago, the production was based in filmfriendly Atlanta. “One of the challenges was finding very distinct looks as we go from faction to faction,” says executive producer Todd Lieberman. “We start in lush Amity, which is outside and beautiful; we go to the eclectic Factionless, which is mostly interior, featuring metal and concrete; and then we go to black-and-white Candor, which has clean lines and reflective surfaces.” Production designer Alec Hammond observes, “The Divergent Series: Insurgent is really five films in one. You have to shift gears completely for the look of each faction, as they all have different rules.” Filmmakers actually created three full-sized, 360-degree environment builds: Amity, Factionless and Erudite, plus dozens of smaller-scale sets. “Chicago was not fully explored in the first film. We primarily saw only the Abnegation village and Dauntless Pit, as well as little bits and pieces of Erudite,” comments Hammond. “During production of the first movie, the third book had not yet been written. We had a great advantage in designing this film knowing the full breadth of the novels. We were able to give each portion its own visual character, from the architecture to the clothes to the props.” World-renowned costume designer Louise Mingenbach oversaw a massive costume department. “Establishing each of these worlds, we had to dress upwards of 400 extras to create the feeling of each of these factions. That meant we needed about 700 costumes multiplied by five,” estimates Mingenbach. “I enjoyed the challenge of working in each faction’s restricted color scheme, which was something I’d never done.” Lieberman adds, “Robert wanted to put his own stamp on the costumes, and the 16

intent was to differentiate each faction, but not have all of the people within each faction dress the same. Amity has earth tones, Candor has blacks and whites, Dauntless has blacks and silvers, Erudite has blues, but when we go to Factionless, it’s a hodgepodge. Louise has done a really fantastic job of being stylish and modern, but at the same time fitting within the palette of those factions.” Peaceful Amity: Launching into the Action The film starts with a palette of earth tones including saffrons, yellows, khakis, ochres, siennas, browns and maroons. “Much of the action in Divergent took place in darker places, like the Dauntless Pit,” comments Wick. “We were so happy that Veronica started the book in this bright, rustic Amity, so we could open the film with sunshine and beauty in the middle of Tris’ nightmare. That contrast was great. Part of the way to build on the original film was to show lighter parts of the world.” Octavia Spencer, whose character Johanna plays the leader of Amity who grants the heroes refuge inside the faction’s peaceful farm, says, “The scope of Amity is epic—one of my favorite sets that I’ve ever been on, with a massive green meadow and beautiful farmlands. We have this gorgeous geo-dome, built around this majestic tree. Amity is very different from what you see in the other factions. Our colors are bright, earthy, golds and reds for very sunny people. I love that; it’s breathtaking.” Filmmakers had six weeks, hampered by spring rain, to create the 13-acre Amity set inside an established rural community. Over 200 workers of every type of craft worked seven days a week on three major structures: constructing the signature Amity Dome with the tree centerpiece, building a crumbling concrete freeway overpass, and altering the existing horse stable. All the while, dozens of greens crew members planted vegetables, flowers and grass crops, and covered parking areas and sidewalks with tons of organic material. “The idea was to be able to film 360 degrees around, run all over the place, drive trucks through our set,” says art director Alan Hook. “We had drones out there filming and huge scoping cranes. The dome was a huge wood and glass structure: 65 feet tall and 100 feet around. We need all of this at the top of the shooting schedule, so pulling it all off in time was probably the biggest nail-biter on the show. We worked on the dome right up until the morning that it was shot.

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“Robert was very clear early on that the first set needed to have a wow factor,” adds Hook. “The audience needed to come over that rise, look out under the broken-down expressway, over the field, and see the dome. Our heroes have just run through the woods and the first thing they see needs to be a big visual statement. I’m proud of the dome and the team who created it.” Tris’ sunny Amity wardrobe was also in contrast to her turmoil. “I showed Robert 50 or 60 ideas for Amity women,” remembers Mingenbach. “In the first movie, you only see bits of Amity. This time Robert and I talked about opening up the palette, seeing more skin, and putting more variety in their costumes. That’s also how we found the look for Naomi Watts in Factionless, as well as Tris’ main costume.” “The key to the Amity set design is the crumbling concrete overpass in view of the dome and the barn. You have to see that Amity is an artificial society superimposed on what was there before,” says Hammond. “In our research phase Robert found a photo of two girls on a swing underneath an overpass. We used that image early in the film because it created the right juxtaposition—a sense of Eden where you never forget that this is a ruined world.” Johanna’s barn loft office, facial scar and flowing costumes helped Octavia Spencer find her character, who has chosen to make peace the main value of her life. Set decorator Kathy Lucas and her team spent weeks scouring the Georgia countryside for the many textured and weathered pieces of one-of-a-kind furniture for the office. That style “happens to be a chic interior design motif right now, so we were able to find stuff that looked reclaimed, or was,” says Lucas. “Also some very talented local set dressers actually built a lot of the furniture.” Prosthetics makeup artist Margie Kaklamanos was flown in to create the character’s signature facial scar. “We did quite a few makeup tests before we started filming,” says Spencer. “Getting the scar applied definitely takes me out of Octavia’s world into Johanna’s world. There is a story behind that scar, which she wears like a badge of honor, and it brings me to who the character is.” In addition to the massive sets and incredible costumes and makeup, for this installment, Hammond and his art department also designed new vehicles and weapons, which played heavily in the heroes’ escape and chase from Amity. The 55,000-pound military vehicles that carry Max and Eric to find the rebels in Amity had recently been decommissioned as troop carriers in Afghanistan. 18

Schwentke insisted on verisimilitude when it came to weaponry as well. “Robert wanted his guns to actually fire,” says Hammond. “He wanted to see the recoil, the muzzle flash and the shells ejecting. We redesigned the weapons from scratch based on existing weapons systems, and we had casings made that fit onto real firearms.”

The Divergent Series: Insurgent team also designed a cargo train on which to stage a fight when Tris, Four and Caleb first encounter the Factionless. “Our mission was to put a phenomenal fight scene together,” states Prescott. “We always adapt to the environment and the side-by-side train cars were a unique, cool place to stage a fight—we could bring guys in and out, hang them off fabric, and use the train and the sliding doors as weapons.” “Inside the train, we created layers, nooks, crannies and levels to give the stunts a playground,” says Hook. And while Tris, Four and Caleb’s safety is so tenuous on board, audiences will be waiting in suspense to see if the Factionless compound they are headed to will prove even more dangerous refuge. Factionless: A Secret World As Roth explains, “Abnegation believe in selflessness, Candor believe in honesty, Dauntless are into bravery, Erudite value intelligence, and Amity value kindness, peacefulness and friendship. A person still in the faction system believes that to be Factionless means to be without community, to be disenfranchised and on your own, and a failure in the most essential way. But, to someone who is Factionless, it means freedom.” “The Amity palette was specific, but the Factionless palette is all over the place,” comments Hammond. “One of the main challenges was making Factionless into something. We realize they may have been homeless at one point, but they’re far from that now. We discovere that they’re actually as well organized as any faction.” The four-story-high Factionless set filled an entire warehouse space and continued outside into the parking lot. “Factionless is another showcase of Alec Hammond’s incredible production design. It’s colorful, it’s full of life, it’s a little steampunk, it’s got a retro feel, and it’s teeming with life. It’s just a beautiful set,” comments Lieberman. “Factionless is the one place in Divergent Chicago where we see art, graffiti, murals and individual expressions of color in their living spaces and their clothes,” adds Hammond. The interior portion consists of concrete cubbies, each with a different apartment and its own unique story inside. The set also features a full-sized scrap-wood house dropped 19

in the middle of all the concrete features, home to Factionless leader Evelyn. “The world has been meticulously mapped out—each character has such specificity to the props and set dressing in their environment,” says Lieberman. Naomi Watts, who plays Evelyn, agrees. “The Factionless set was incredible, especially the way they have built something out of nothing, recycling old junk,” says the actress. “I brought my boys to set once and they still talk about it to this day. I loved working there. I would have brought some pieces home with me if I could.” In addition to the individualized cubbies, filmmakers designed a new logo that appears as graffiti and new tattoos for the Factionless. But it was their clothes that provided the biggest expression of their individuality. “We saw Factionless only briefly as homeless people in the first movie, but they play very strongly in this film,” says Mingenbach. “An important story point is that they are these super-strong, creative characters, and we expressed that with stronger colors and more outlandish clothes at home. “Evelyn’s signature item started as a vintage jacket with a bit of white detailing at the edges,” she continues. Producer Douglas Wick suggested throwing paint on the jacket to add contrast. “We ended up throwing bleach at it, a pretty scary thing to do, but it looked fantastic. It’s so nice to have producers who are involved and interested. I don’t know if I would have thrown bleach at a one-of-a-kind jacket on my own,” she laughs. To film the turning point where Tris decides to save her allies by turning herself in to Jeanine, filmmakers shot a scene where Tris walks from Factionless to Erudite. To capture her courageous journey, filmmakers arranged a brief shoot in Chicago, which involved opening all the bridges over the Chicago River simultaneously. “Tris is journeying across the city to give herself up to Jeanine and we realized this is a moment where we could really show off Chicago,” reveals Hook. “One of the defining elements in the city is the river with its bridges. In the film, Lake Michigan has dried up and so has the river; so we have Tris walk right down the middle of the Chicago River.” To accomplish this, production worked with the Coast Guard to hold boat traffic and the Department of Transportation to coordinate all of the bridges. “The Chicago River is in the middle of the city. It intersects Michigan Avenue and is the busiest and most touristfilled area, so we couldn’t have done it without tremendous cooperation from the city,” says supervising location manager, Janice Polley.

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On top of Candor Insurgent clearly states that Candor Headquarters is located within the landmark Chicago Merchandise Mart. To create Candor in Atlanta, filmmakers used the rooftop patio of Atlanta’s AmericasMart for the attack, and a spacious, glassed portion of the interior of the top floor to build Jack Kang’s office. Polley notes, “The actual Merchandise Mart in Chicago is about the size of a New York City block, and it’s right next to the Chicago River. There’s absolutely no comparison in size to any building in Atlanta. Using the AmericasMart buildings was challenging because in the attack sequence, stuntmen were zip-lining from another 26th floor rooftop over to our 22nd floor rooftop over Peachtree Street. For safety we had to get permission to shut down the biggest street running through downtown Atlanta.” The Candor attack sequence was complicated for other reasons as well, explains Wade Allen. “The roof of Candor Headquarters is being assaulted from three separate surrounding rooftops, with harpoon lines across the void. We had guys rappelling off the buildings, and up to six people at a time zip-lining while firing weapons across a 300-foot-tall gap in the buildings. Great fun for a stunt team.” An additional set for the Candor assembly forum was built at the new OFS production facility in Norcross, Georgia. “The truth-telling set was an example of a creative solution to a potentially expensive challenge,” says Lieberman. “In the scene, Four and Tris have to bare their souls in front of the entire faction, after they’ve taken this truth serum. In the book, the space is described as a stadium-seating arena lecture hall, and we were having a lot of trouble finding that available in Atlanta, so Alec and Robert decided to do something completely different. They came up with this truth-telling pod, which is all mirrors. The conceptual idea is that once you go inside you can’t turn anywhere without looking out at other people, and at the same time seeing yourself. It embodies the idea of vulnerability. That mirrored set is one of those instances where the space really embodies the feel of what you want.” Jack Kang’s glass office to the truth-telling pod embody what the Candor faction stand for: being able to see through lies and the vulnerability one feels when telling the truth to others by having to look at yourself.

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Inside Erudite: Testing Tris The third large build of the production was the Erudite headquarters (which included Jeanine’s laboratory, a control room, holding cells and hallways), and it was constructed in the entirety of Stage 10 at Screen Gems Studios in Atlanta. The lab was the most complicated set to build, according to construction coordinator, Greg Callas, in part because it has no straight lines. “The walls and ceiling are all curved and whenever you come to a corner, there are often compound angles,” says Callas. “My crew drilled 10,000 holes in the walls for the tubes and each of the drill angles had to be perfect.” “Erudite’s main lab can almost be described as a fishbowl but in fact it’s a giant 10,000-square-foot set with bulletproof glass and 16 projectors creating a lighting environment,” says Waldman. “As an audience member, you’ll want to buckle in and get ready to enjoy really cool stuff that you haven’t seen before.” One of the storytelling hurdles the filmmakers had to overcome in the lab is the change in point of view from Tris in the SIM and Jeanine watching Tris perform in the SIM, says Hammond. “We wanted to come up with a way that you could see the physical externalization of the SIM in the actual lab space.” Filmmakers used a combination of practical effects on set and visual effects in post to create black tentacles by which Divergent test subjects were suspended midair in the glass room. “Tris floats from the tentacles, thus being able to show her body movements that match what’s happening in the SIM,” explains Hook. Hammond adds, “We filled the main lab with almost 10,000 high-tech-feeling glass tubes that shift in color and intensity. A series of projectors light up the back of the tubes to show perspective changes. We were able to undulate the surface and actually show an evolution as Tris was completing the SIMs. The room changed with Tris’ emotions inside the SIM. For example, if she was in distress the room could echo that.” Technicians outside the glass enclosure also monitored the Divergent in the SIMs with hologram work stations, which were added in post-production. “We tried to do something where we almost felt the lab was inside of a computer, since for much of it we’re inside Tris’ head,” says Hook. “We married those three layers—the tentacles, the lighted walls and the holograms—to make the concept clearer.” 22

The key prop in Jeanine’s lab was invented as a storytelling device, creating the film’s cliffhanger. “The box was actually one of the trickier design elements,” says Hammond. “Jeanine’s ultimate goal is to open the box, and she’ll stop at nothing to figure out what’s inside.” “The design of the box went through many different incarnations. There were lots of questions to answer in the design process,” says Waldman. “When does it light up? Does it have twinkly lights? Blue lights? Red lights? What is the texture?” The objective, according to Wick, was to create an object that balanced the sense of something ancient with the idea of a flourishing technological society. “We ended up with the five-sided pentagonal solid with one of the five factions represented on each of the sides,” explains Hammond. “They did a beautiful job with the gold paint; the tarnishing and aging has a bit of iridescence. Our prop master Sean Mannion worked with artisans in Los Angeles on the final version. From our 3-D print they made a mold, cast it in fiberglass and resin, and then bolted all of the LEDs and light-up panels in place.” Defy Reality: Inside the SIMs “The stakes are higher in The Divergent Series: Insurgent,” says 2nd Unit Director/VFX Supervisor James Madigan. “Tris is in real jeopardy when she goes into the SIMs the first movie, she could just say ‘this isn’t real’ and crack the code, but in The

Divergent Series: Insurgent, if she dies in a SIM, she actually dies.” In order to open the box, Tris must pass the SIMs for Dauntless, Candor, Abnegation, Erudite and Amity by demonstrating bravery, honesty, selflessness, intelligence and peacefulness. Creating the simulations required a combination of live-action footage involving elaborate stunts and practical effects and spectacular post-production visual effects. “We started our conversations on this film talking about the SIMs, because they are the hardest puzzles to solve, but also the greatest opportunity,” says Hammond. “The first movie gave the audience a glimpse of what the SIMs could be; but now with Erudite’s radical tactics, they’ve become fully evolved,” states Waldman. “The amazing part of working with visual directors like Robert Schwentke is that they take reality up to level 10. You want the audience to sometimes wonder if it’s real.” 23

The Amity SIM begins with Tris falling midair through the city center. Everyone has those falling dreams where you’re falling in a way that is horrifying but also slow and neverending,” comments Madigan. “When we started exploring different ideas in pre-viz, we realized the SIMs gave us a great opportunity to relay the emotional content needed inside fantasy elements. We knew the SIMs were a great chance to show Tris’ emotional struggle and take a deeper look at what she was internalizing. There are no rules here, just her emotions and her struggle to survive.” Beyond the Wall to Allegiant “In Insurgent, we’re starting to see the incredible upheaval of the faction system, while Jeanine is trying to keep everything under control,” says Roth. “By the end, everything’s completely a mess and it’s really unclear what is going to happen from here. But I will say the big exciting thing about what happens next is that we get to see what’s outside the fence. In Allegiant, we get to follow Tris and Four into a place unlike anything they’ve ever known and unlike anything that we’ve seen.”

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ABOUT THE CAST SHAILENE WOODLEY (Beatrice “Tris” Prior) is best known for her awardwinning performance opposite George Clooney in the Academy Award®-nominated film The Descendants, from writer-director Alexander Payne. Among the many accolades she received for her work in the film were a 2012 Independent Spirit Award® and the National Board of Review Award, in addition to Golden Globe® and Critics’ Choice Award nominations (for Best Supporting Actress). Woodley recently starred in the drama White Bird in a Blizzard for director Gregg Araki, which premiered at the Sundance Film Festival in January 2014. Magnolia Pictures released the film on VOD on September 25 and then in theaters nationwide on October 24. The film debuted internationally at the Deauville Film Festival in France. Woodley further solidified her stature as a talented and versatile actress in the critically acclaimed film The Fault in Our Stars, the big-screen adaption of John Green’s hugely popular novel. Woodley earned glowing reviews from some of the most respected critics in the country and the film dominated the box office on its opening weekend, earning more than $250 million worldwide thus far. Woodley’ performance has been acknowledged by The People’s Choice Awards, The Broadcast Film Critics Awards and The Teen Choice Awards. Just prior, Woodley starred in The Spectacular Now opposite Miles Teller. The co-stars shared the Special Jury Prize for Dramatic Acting at the Sundance Film Festival in January 2013. Woodley was nominated for a Gotham Award and an Independent Spirit Award® for Best Actress. Woodley’s star status was proven in the big-screen version of Divergent for Summit Entertainment, based on the popular YA novel of the same name from bestselling author Veronica Roth. Woodley will soon begin production as the female lead opposite Joseph Gordon Levitt in Oliver Stone’s Snowden, the real-life story of the American computer specialist Edward Snowden, a former employee of the CIA who leaked classified information from the NSA about surveillance programs run by the U.S. Woodley began her career at the age of 5 when an agent recognized her potential and signed her in an instant. She has been working ever since. Woodley cut her teeth in 25

commercials and then earned her first TV role in the 1999 telefilm Replacing Dad, which starred two-time Oscar®-nominee Mary McDonnell. Other roles include playing the lead character on the hit ABC Family series The Secret Life of the American Teenager for five years; the lead in the popular WB movie Felicity: An American Girl Adventure, which was produced by Elaine Goldsmith-Thomas and Julia Roberts; and recurring roles on Crossing Jordan (as a young Jill Hennessy), The O.C. and Jack & Bobby. She also had a lead role opposite Ann-Margret and Matthew Settle in the TV movie A Place Called Home. When she is not on set, Woodley spends as much time as possible outdoors, thinking of ways she can help keep the environment beautiful and healthy for future generations. THEO JAMES (Four) launched his film career as the male lead opposite Kate Beckinsale in Underworld: Awakening, the latest installment of Lakeshore/Sony’s successful franchise. After starring in Divergent last year, he is currently in production on the Jim Sheridan period drama The Secret Scripture, which is shooting in Ireland. James portrays an Irish priest alongside Rooney Mara. In 2015 James will be seen in leading roles in two feature films: the mystery London Fields, with Johnny Depp and Billy Bob Thornton; and the indie Franny, opposite Richard Gere and Dakota Fanning. Additional film credits include portraying the lead villain in the British blockbuster comedy The Inbetweeners Movie and an appearance in Woody Allen’s You Will Meet a Tall Dark Stranger. On the small screen, James played the memorable and pivotal role of Mr. Kemal Pamuk in the first season of the acclaimed series Downton Abbey. He recently starred as the title character Detective Walter Clark in the critically acclaimed CBS series Golden Boy, opposite Chi McBride, and appeared in the British series Bedlam. A native of London, James trained at the prestigious Bristol Old Vic Theatre School in the U.K. OCTAVIA SPENCER (Johanna) is a veteran character actress and one of Hollywood’s most sought-after talents, becoming a fixture on both television and the silver screen. Her critically acclaimed performance as Minny in The Help won her the 2012 26

Academy Award®, BAFTA Award, Golden Globe® Award, SAG Award® and Broadcast Film Critics’ Choice Award, among numerous other honors. Spencer recently co-starred in the action-adventure Snowpiercer, opposite Tilda Swinton and Chris Evans; and Tate Taylor’s Get on Up, a chronicle of musician James Brown’s rise to fame that also starred Viola Davis and Chadwick Boseman. She will next be seen in the drama Black or White, alongside Kevin Costner; Fathers and Daughters, with Quvenzhané Wallis, Diane Kruger, Russell Crowe, Amanda Seyfried and Aaron Paul; and The Great Gilly Hopkins, an adaptation of Katherine Paterson’s young adult novel (winner of the Newbery Honor) that also stars Sophie Nélisse, Glenn Close, Kathy Bates and Danny Glover. Last year, Spencer was seen in the indie-drama Fruitvale Station. The film follows the final hours in the life of Oscar Grant, a young man whose death sparked national outrage after video footage of his shooting was released to the public on New Year’s Eve 2009. Fruitvale Station won several prestigious awards including both the Grand Jury Prize and Audience Award for U.S. Dramatic Films at the 2013 Sundance Film Festival and the Un Certain Regard Award for Prix de l’avenir at the 2013 Cannes Film Festival. It was also named one of AFI’s Films of the Year and received nominations for 2014 Independent Spirit Awards® and NAACP Image Awards. Spencer was named Best Supporting Actress by the National Board of Review and received an individual nomination from the NAACP Image Awards. She also served as a producer on the film. In 2013 Spencer was seen in Diablo Cody’s directorial debut Paradise, alongside Russell Brand and Julianne Hough; and Smashed, an independent film that premiered at the 2012 Sundance Film Festival and also starred Mary Elizabeth Winstead, Aaron Paul and Megan Mullally. She also co-starred in a segment of Lifetime’s Call Me Crazy: A Five Film, an anthology of five short films focused on various stories of mental illness. Produced by Jennifer Aniston, the project featured segments directed by Laura Dern, Bryce Dallas Howard, Bonnie Hunt, Ashley Judd and Sharon Maguire. Spencer’s acting career began with her big-screen debut in 1995 in Joel Schumacher’s A Time to Kill, opposite Sandra Bullock. Since that time, Spencer has built a diverse and impressive résumé. In 2009 she was lauded for her comedic timing when Entertainment Weekly.com put her on their esteemed list of the “25 Funniest Actresses in Hollywood.”

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Spencer’s extensive feature film credits include Blues for Willadean, Fly Paper, Peep World, Dinner for Schmucks, Small Town Saturday Night, Herpes Boy, Halloween II, The Soloist, Drag Me to Hell, Seven Pounds, Pretty Ugly People, Coach Carter, Charm School, Win a Date with Tad Hamilton, Bad Santa, Spider-Man, Big Momma’s House, Being John Malkovich and Never Been Kissed. In 2009 Spencer directed and produced a short film entitled The Captain, which was a finalist for the coveted Poetry Foundation Prize awarded at the Chicago International Children’s Film Festival. On television, Spencer was recently seen guest-starring on the CBS series Mom, a comedy that centers on a newly sober mother attempting to pull her life together. Additionally, she made a memorable guest appearance during the final season of 30 Rock, starred in the Comedy Central series Halfway Home and appeared in a five-episode arc as the character Constance Grady on the hit series Ugly Betty. Spencer has been seen in gueststarring roles on such shows as The Big Bang Theory, ER, CSI, CSI: NY, Raising the Bar, Medium and NYPD Blue. Among her many other professional achievements, Spencer has co-authored an interactive mystery series for children called Randi Rhodes, Ninja Detective. The first title in the series, Randi Rhodes, Ninja Detective: The Case of the Time-Capsule Bandit was published by Simon & Schuster Children’s Publishing in 2013. Spencer is a native of Montgomery, Alabama, and holds a B.S. in liberal arts from Auburn University. She currently resides in Los Angeles. JAI COURTNEY [Eric] was born and raised in the northwest region of Sydney where he developed an early interest in acting. He participated in a state sponsored drama program for young people, which led him to audition for the National Institute of Dramatic Art after high school. In 2004 he joined the Western Australian Academy of Performing Arts (WAAPA) a well-respected institution in Perth from where he graduated in 2008. Following graduation, Jai quickly landed guest star roles on two hit Australian shows, Packed to the Rafters and All Saints and later that year he won a Theatre Critics Award for Best Newcomer for his performance in The Turning at the Perth Theatre Company. In 2009 Jai landed the sought after role of Varro in the international Starz hit television series Spartacus: Blood and Sand. The character of Varro became the closest confidante to Spartacus until his death in the tenth episode. Fans of the show created an 28

uproar over Varro’s death and to this day continue to lament about it on the many Spartacus fan sites and blogs. After Spartacus: Blood and Sand Jai was cast in the Paramount film Jack Reacher alongside Tom Cruise and Werner Herzog. He then starred alongside Bruce Willis in A Good Day To Die Hard. The fourth installment of the Die Hard franchise which made over $300 million worldwide. Last spring, Jai was seen in the box office hit film Divergent, alongside Shailene Woodley and Kate Winslet. The film, directed by Neil Burger, is an adaptation of the hit scifi novel of the same name. In October he co-starred with Joel Edgerton and Tom Wilkinson in Felony. Jai played a young police detective who suspects Edgerton’s character is lying about a crime he’s committed and he gradually builds a criminal case against him. The film had its World Premiere at the Toronto Film Festival. In December Jai co-starred in Unbroken directed by Angelina Jolie. The Universal film is based on the unbreakable spirit of Louis Zamperini, the former Olympic track prodigy who endured unimaginable hardship as a WWII POW at the hands of Japanese prison guards. Jai plays ‘Cup,’ a WWII veteran pilot who gets caught in tenacious midair gunfight alongside Zamperini. This year, in March Jai will be seen in The Divergent Series: Insurgent, the second film in the Divergent series. In April, he co-stars in The Water Diviner, Russell Crowe’s feature directorial debut about an Australian man who travels to Turkey to attempt to locate the bodies of his three sons, who were killed there during WWI. Jai portrays ‘Lt. Col. Cyril Hughes’ who is tasked with organizing the effort to identify the tens of thousands of soldiers killed at Gallipoli. In July he stars as Kyle Reese alongside Arnold Schwarzenegger in the sci-fi film Terminator: Genisys. This is the first film in a stand-alone trilogy. Most recently Jai completed filming the psychological thriller Man Down in which he plays ‘Devin Roberts’, war veteran and best friend of ‘Gabriel Drummer’ played by Shia LaBeouf. Directed by Dito Montiel, the film tells the story of a haunted Afghanistan war veteran who attempts to come to terms with his past while searching for his family in a postapocalyptic America.

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Jai will next film Suicide Squad based on the DC Comic Book in which he plays ‘Captain Boomerang’ alongside Will Smith and Jared Leto. In addition to these roles, Jai has been working tirelessly to raise awareness and the funds needed to produce the feature-length documentary Be Here Now about his friend the late Andy Whitfield, who passed away 18 months after being diagnosed with non-Hodgkin lymphoma. It was Andy’s desire to have this documentary produced in order to help and inspire others dealing with cancer or any of life’s challenges. The documentary is helmed by Academy Award® nominated documentarian Lilibet Foster. RAY STEVENSON (Marcus) received both critical and public acclaim for his starring role in the HBO/BBC television series Rome. In 2015 Stevenson can be seen in a number of new releases including Big Game, opposite Samuel L. Jackson, and The Transporter Legacy, Luc Besson’s reboot of his Transporter franchise. Stevenson was seen in Billy Bob Thornton’s dramedy Jayne Mansfield’s Car, starring opposite John Patrick Amedori, Robert Duvall, John Hurt, Kevin Bacon and Robert Patrick. He played the villain Firefly in G.I. Joe: Retaliation, opposite Channing Tatum and Dwayne Johnson. Before that Stevenson appeared in Paul W.S. Anderson’s The Three Musketeers, opposite Christoph Waltz, Logan Lerman and Orlando Bloom; Kenneth Branagh’s Thor, with Chris Hemsworth and Natalie Portman; and Paul Greengrass’ Theory of Flight, acting alongside Branagh. Stevenson also starred with Christopher Walken, Vincent D’Onofrio and Val Kilmer in Jonathon Hensleigh’s Kill the Irishman, playing the title character in a true-crime story about notorious mobster Danny Greene. Hensleigh and Jeremy Walters wrote the screenplay based on the nonfiction book To Kill the Irishman: The War That Crippled the Mafia, by Rick Porello. Stevenson appeared as Miles Lennon in television’s Crossing Lines and played Issak Sirko on the hit Showtime series Dexter. Previously, Stevenson was seen in the post-apocalyptic actioner Book of Eli, opposite Denzel Washington and Gary Oldman, for directors Albert and Allen Hughes. He was also featured in the fantasy thriller Cirque du Freak: The Vampire’s Assistant. In 2008 he played the

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lead in Punisher: War Zone, about Marvel Comics antihero Frank Castle and his quest to rid the world of evil after the death of his wife and daughter. Prior film work includes the role of Dragonet in Antoine Fuqua’s King Arthur, for producer Jerry Bruckheimer; the cult favorite Outpost, for director Steven Barker; The Return of the Native, opposite Catherine Zeta-Jones; and Some Kind of Life, opposite Jane Horrocks. His stage work includes playing Christ in the York Mystery Plays, performed in 2000 at York Minster. In 2001 he played Roger in Mouth to Mouth by Kevin Elyot at the Albery Theatre in London, opposite Lindsay Duncan and Michael Maloney. In 2003 he appeared as Cardinal in The Duchess of Malfi at the Royal National Theatre, with Janet McTeer. Born in Northern Ireland, Stevenson grew up in England. He studied acting at the Bristol Old Vic Theatre School. ZOË ISABELLA KRAVITZ (Christina) was born in Venice, California. Kravitz’s love and interest in acting developed from classes she began taking while in school. Wasting little time, she started working on two films during her senior year in high school: No Reservations, alongside Catherine Zeta Jones and Aaron Eckhart; and The Brave One, directed by Neil Jordan, starring Jodie Foster and Terrence Howard. Kravitz was featured in X-Men: First Class, co-starring Michael Fassbender, Jennifer Lawrence, James McAvoy and Kevin Bacon. She has also appeared in lead roles in the films It’s Kind of a Funny Story, co-starring Zack Galifianakis and Emma Roberts, and Divergent, where she played the role of Christina. Next up, Kravitz is set to co-star alongside Charlize Theron and Tom Hardy in Mad Max: Fury Road. She also recently filmed The Road Within, with Robert Patrick, Kyra Sedgwick and Dev Patel, and Good Kill, opposite Ethan Hawke and January Jones, which recently premiered at the Venice Film Festival. Kravitz just wrapped shooting on acclaimed Mexican filmmaker Gerardo Naranjo’s untitled next film, which is about a roadie on tour with a punk band. The film co-stars Dakota Fanning. Kravitz also finished work on Dope, which is being produced by Forest Whitaker and executive produced by Pharrell Williams. Kravitz will also co-star alongside Emile Hirsch in Vincent-N-Roxxy, which will begin shooting this winter. Outside of her film endeavors, Kravitz has kept busy with various projects. LOLAWOLF is a band fronted by Kravitz that also includes two members of Reputante, 31

James Levy and Jimmy Giannopoulos (who produced the record). Their EP debuted via Innit Recordings in February 2014 and their debut album Calm Down was released on October 25, 2014. Kravitz recently served as one of the faces of Coach’s Dreamer’s campaign and Vera Wang’s Princess perfume. Kravitz also starred in Jay-Z’s music video for his single “I Know,” off his American Gangster album. In addition, she was featured with Jessica Alba, Ryan Phillippe, Tyrese Gibson, George Lopez, John Leguizamo and several other celebrities in Will.i.am’s “We Are the Ones” music video during President Obama’s re-election campaign. Kravitz is the daughter of Lenny Kravitz and Lisa Bonet. She currently resides in New York City. MILES TELLER (Peter) had the distinct honor and privilege of making his feature debut opposite Nicole Kidman in the film based on the Pulitzer Prize-winning play Rabbit Hole. In this tragic family drama directed by John Cameron Mitchell, Teller played Jason Willette, a bit of a loner teen who escapes into a world of comic books and science fiction. Teller was cast in Paramount’s remake of Footloose in 2010, which was released in October 2011. He was also seen in Todd Phillips’ Project X that year. In 2013 he starred in 21 & Over, written and directed by Jon Lucas and Scott Moore. That same year, he began achieving critical acclaim after starring in the James Ponsoldt film The Spectacular Now, for which he and co-star Shailene Woodley won the Dramatic Special Jury Award for Acting at the 2013 Sundance Film Festival. In 2014 Teller co-starred in the comedy That Awkward Moment, alongside Zac Efron and Michael B. Jordan; appeared in the science-fiction film Divergent, opposite Shailene Woodley; and turned heads in the critically acclaimed drama Whiplash, which received the Grand Jury Prize and Audience Award at Sundance and the Deauville Film Festival. The Academy Award®-nominated film landed Teller a Best Actor nomination at the 2014 Gotham Awards. Teller most recently wrapped The Fantastic Four, with Michael B. Jordan, Kate Mara and Jamie Bell, which will be released August 7, 2015. He is currently in production for the Martin Scorsese-produced film Bleed for This, which reunited him with his Rabbit Hole costar, Aaron Eckhart. The film is the inspirational true story of world-champion boxer Vinny 32

Pazienza. After a near-fatal car crash left him not knowing if he’d ever walk again, Pazienza made one of sports’ most incredible comebacks. Teller was born in Downingtown, Pennsylvania, and at the age of 11 moved to Citrus County, Florida. He now makes his home in Los Angeles. ANSEL ELGORT (Caleb Prior) most recently starred in Academy Award®nominee Jason Reitman’s film Men, Women & Children, opposite Adam Sandler and Jennifer Garner. Elgort also starred in the recent Fox feature The Fault in Our Stars, based on the New York Times bestseller by John Green. The film topped the box office in its opening weekend and has since grossed over $300 million worldwide. For this performance, Elgort won a number of 2014 Teen Choice and Young Hollywood Awards including Choice Movie Breakout Star and Fan Favorite Actor. A graduate of LaGuardia High School of the Performing Arts, Elgort’s first professional acting job was in Manhattan Theater Club’s production of Matt Charman’s play Regrets, directed by Carolyn Cantor. Starring opposite Alexis Bledel while finishing up his senior year of high school, Elgort received rave reviews. Elgort was then cast in the role of Tommy Ross in Kimberly Peirce’s remake of Carrie, opposite Julianne Moore and Chloë Grace Moretz. Elgort found his love for performing through dance. As a child he performed both in The Nutcracker and Swan Lake at Lincoln Center with the New York City Ballet. He was featured tap-dancing at the CFDA Awards in 2011. As a singer, Elgort has worked with many composers including Jason Robert Brown, Glen Roven and Louis Andriessen. He is also an electronic dance music producer and DJ. Elgort’s first official release, “Unite,” was released via Staar Traxx and reached No. 17 overall on Beatport. His second single, “Totem,” was released on Steve Angello of Swedish House Mafia’s SIZE label. The track peaked at No. 1 on Beatport’s Top 100 and reached No. 9 on the iTunes Dance Chart. Elgort currently resides in New York City. MAGGIE Q (Tori) is an American actress who currently stars on CBS’ new drama Stalker, alongside Dylan McDermott. Directed by Liz Friedlander and written by Kevin

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Williamson, Stalker chronicles the story of two detectives who investigate stalkers in Los Angeles. Q came to prominence on CW’s successful action series Nikita, created by Craig Silverstein. For four seasons, Nikita chronicled the story of a rogue assassin (Q) who returns to take down the secret organization that trained her. Last year Q starred in Summit Entertainment’s box-office hit Divergent, alongside Shailene Woodley and Theo James. Directed by Neil Burger, Divergent was the first installment of a film franchise based on the books by Veronica Roth. Q recently completed production on the cyber-thriller A Conspiracy on Jekyll Island, starring alongside Minnie Driver, Dianna Agron and Ed Westwick. A Conspiracy on Jekyll Island was written and directed by Aram Rappaport. Next, Q will develop, produce and star in Red Flag, a limited series from Steven Jensen’s Independent Television Group, Mike Medavoy and Benjamin Anderson of Phoenix Pictures (Black Swan), and Fred Fuchs (The Transporter). Red Flag is set in the early 1800s and centers on Ching Shih (Q), a beautiful young Chinese prostitute who becomes one of history’s most powerful pirates and ultimately heads one of the most successful crime syndicates in China. In 2005 Q appeared in J.J. Abrams’ Mission: Impossible III, alongside Tom Cruise and Philip Seymour Hoffman. Subsequently, she appeared in a string of action films including Live Free or Die Hard, with Bruce Willis and Justin Long, and the post-apocalyptic sci-fi thriller Priest, opposite Paul Bettany and Karl Urban. Q had captivated Chinese audiences in a number of action films made between 2000 and 2009, including The Warrior and the Wolf, Daniel Lee’s Three Kingdoms: Resurrection of the Dragon and Dragon Squad, Naked Weapon and Gen-X Cops 2: Metal Mayhem. In addition to starring in action films, Q has been seen in a number of comedies and dramas showcasing her versatility across multiple genres. She appeared in New York, I Love You, opposite Ethan Hawke; Deception, with Hugh Jackman and Ewan McGregor; and Robert Ben Garant’s Balls of Fury, alongside Dan Fogler, Christopher Walken and George Lopez. Additional film credits include House of Harmony, directed by Marco Serafini, and Rush Hour 2, with Jackie Chan and Chris Tucker. Q voiced Princess Diana and Wonder Woman in the animated television series Young Justice. 34

Q is an activist for both animal and human rights through her support of programs such as PETA, Best Friends, WildAid, Kageno and the Washington D.C.-based PCRM (Physicians Committee for Responsible Medicine). Q is a native of Honolulu, Hawaii. She currently resides in Los Angeles. MEKHI PHIFER (Max) has captured the attention of critics and audiences alike with performances that cross all cinematic genres, from gritty urban dramas to heartwarming romantic comedies. Born and raised in New York, Phifer began his acting career when he auditioned at an open casting call for director Spike Lee’s Clockers and was selected for the leading role. Working alongside Harvey Keitel, John Turturro and Delroy Lindo, Phifer garnered critical acclaim for his compelling performance as Strike, a young New Jersey drug dealer involved in a murder cover-up. Phifer’s most recent credits include the role of Max in Divergent. He also appeared in a recurring role on the Showtime series House of Lies and co-starred with Academy Award®winner Whoopi Goldberg in the Lifetime film A Day Late and a Dollar Short. Previously he starred on the Starz series Torchwood and was FBI Agent Ben Reynolds on the hit FOX series Lie to Me. Recent films include Flypaper, opposite Ashley Judd, and Close Quarters, for Sony Pictures Television. Phifer’s film resume includes a starring role in the remake of the top-grossing 1978 horror classic Dawn of the Dead, opposite Sarah Polley and Ving Rhames. In the fall of 2002 Phifer starred opposite Eminem, Brittany Murphy and Kim Basinger in Curtis Hanson’s critically acclaimed film 8 Mile and appeared in Paid in Full, directed by Charles Stone. Phifer also starred opposite Julia Stiles and Josh Hartnett in O, based on Shakespeare’s Othello. He portrayed Odin, the captain of a champion high-school basketball team whose best friend becomes jealous of his relationship with his girlfriend. In the thriller I Still Know What You Did Last Summer, Phifer co-starred with Jennifer Love Hewitt, Brandy and Freddie Prinze, Jr. He also starred in the successful family drama Soul Food, opposite Vanessa Williams, Vivica A. Fox and Nia Long. Additional credits include Hell’s Kitchen, NYC, playing a New York boxer opposite Angelina Jolie; Tears of a Clown, a romantic comedy; the thriller An Invited Guest, winner of the Audience Award at the

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1999 Urbanworld Festival and the Grand Prize at the Acapulco Film Festival; and Impostor, with Gary Sinise, Madeline Stowe and Vincent D’Onofrio. In 2002 Phifer was honored by the American Black Film Festival, receiving the organization’s Rising Star Award. In addition to his film career, Phifer added to his growing list of television credits with a starring role on the Emmy® Award-winning series ER, as Dr. Gregory Pratt. He received two NAACP Image Awards (2004 and 2005) for Outstanding Supporting Actor in a Drama Series. Other television credits include leading roles in MTV’s highly rated film Carmen: A Hip-Hopera, in which he did all his own rap work and starred opposite Beyonce Knowles; the Emmy® Award-winning HBO Original Movie A Lesson Before Dying, with Don Cheadle and Cicely Tyson. In the latter role his subtle performance as a man on death row won rave reviews and also earned him a NAACP Image Award nomination. Phifer tackled the challenging role of portraying NFL Hall of Famer Gale Sayers in the ABC television special Brian’s Song, a remake. He appeared in the celebrated HBO Original Film The Tuskegee Airmen and made guest appearances on White Collar, Homicide: Life on the Street and New York Undercover. In 2007 Phifer and writer-producer-actor Ronnie Warner announced the formation of two production companies, Facilitator Films and Facilitator Music. Based out of the Warner Bros. lot in Burbank, California, the company’s first project was the 2006 comedy Puff, Puff, Pass. The film was acquired by Sony and released on DVD in 2007. Phifer made his directorial debut in the film and starred alongside Danny Masterson, John C. McGinley, Terry Crews, Ronnie Warner, Darrell Hammond and Mo Collins. Phifer and Warner have completed several other film projects under the Facilitator Films banner. They partnered with Clint Culpepper of Sony Screen Gems to executive produce This Christmas (2007), starring Delroy Lindo, Regina King, Nia Long, Loretta Devine, Chris Brown and Idris Elba. They also partnered with Jeff Clanagan of Universal/Code Black for distribution of other theatrical and DVD releases. Additionally, Phifer and Warner teamed up with music producer Todd Mushaw to launch Facilitator Music. Mushaw’s production credits include Kelly Rowland, Dr. Dre, Game and Destiny’s Child. They recently signed their first artist, a Virginia-based rapper called Face. 36

Phifer made his Broadway debut alongside Dule Hill, Tracie Thoms, Ruben Santiago-Hudson and Condola Rashad in Lydia R. Diamond’s critically acclaimed play “Stick Fly,” produced by Alicia Keys and directed by Kenny Leon. Phifer currently resides in Los Angeles. DANIEL DAE KIM (Jack Kang) continues his string of multifaceted and stereotype-breaking roles with his role on Season Five of the hit CBS television series Hawaii Five-0. Previously, Kim was best known for his role as Jin Soo Kwon on the ABC hit Lost, for which he shared a 2006 Screen Actors Guild Award® for Best Ensemble. He was individually honored with an AZN Asian Excellence Award, a Multicultural Prism Award and a Vanguard Award from the Korean American Coalition, all for Outstanding Performance by an Actor. In 2009 he was recognized with the prestigious KoreAm Journal Achievement Award in the field of Arts and Entertainment and was also named one of People magazine’s “Sexiest Men Alive.” He also received the Influential Asian Artist Award from the San Diego Asian American Film Festival, as well as the Theater Legacy Award from New York’s Pan Asian Repertory Theater. Kim recently served as cultural envoy and member of the U.S. presidential delegation at the World Expo in Korea. Born in Busan, South Korea, and raised in New York and Pennsylvania, Kim discovered acting while a student at Haverford College. After briefly considering a career as an attorney, he decided to follow his true passion and moved to New York City, where he began his work on stage and performed in classics such as Romeo and Juliet, Ivanov and A Doll’s House. Despite his early success, he decided to deepen his dedication to the craft by enrolling at New York University’s graduate acting program, where he earned a Master’s Degree in fine arts. Upon graduation, Kim’s film career began in earnest with roles in The Jackal, For Love of the Game, Hulk, Spider-Man 2 and The Cave, as well as the Academy Award®-winning drama Crash. On television Kim has guest-starred on numerous shows including CSI, ER and 24. In 2008 he starred in the Emmy®-nominated miniseries The Andromeda Strain.

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Kim has also lent his voice talents to video games, voicing characters in games such as “Scarface: The World Is Yours,” “Tenchu” and the “Saints Row” franchise. His credits on animated series include “Avatar: The Legend of Korra.” In 2009 Kim rekindled his love for the stage by performing the role of the King of Siam in an iconic production of The King and I, at London’s world-renowned Royal Albert Hall. Kim recently expanded his industry work to include producing and directing. In January of 2014 he signed a first-look development deal with CBS Television Studios, the first of its kind with an Asian American actor. With his new company, 3AD, he is currently creating original content for both television and film. Kim also directed an episode of Hawaii Five-0. Though he spends time in Los Angeles and New York, Kim spends most of the year in Honolulu, Hawaii, where he devotes his free time to his family and various charities. NAOMI WATTS (Evelyn) was honored with an Academy Award® nomination for Best Actress for her performance in Juan Antonio Bayona’s The Impossible, alongside Ewan McGregor. For her role as a courageous wife and mother struggling to survive the aftermath of a tsunami, Watts also earned Best Actress nominations from the HFPA for a Golden Globe®, from SAG, the Broadcast Film Critics and the Palm Springs International Film Festival. Watts earned an Academy Award® nomination for Best Actress for her role in Alejandro Gonzáles Iñárritu’s 21 Grams, co-starring Sean Penn and Benicio Del Toro. Her performance also garnered Best Actress nominations from the SAG Awards®, BAFTAs, Broadcast Film Critics, Golden Satellites and several other critics’ associations. At the film’s premiere at the 2003 Venice International Film Festival, she received the Audience Award (Lion of the Public) for Best Actress. The film won the Special Distinction Award at the Independent Spirit Awards®. Watt most recently starred in St. Vincent, opposite Bill Murray, and earned a SAG Award® nomination for Best Supporting Actress for her performance. She also starred in Alejandro González Iñárritu’s Academy Award®-nominated film Birdman, with Emma Stone and Michael Keaton.

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Watts will next be seen in Noah Baumbach’s While We’re Young, with Ben Stiller and Amanda Seyfried. The film premiered at the Toronto International Film Festival in 2014 and will be released this spring. She recently shot Demolition, with Jake Gyllenhaal; Gus Van Sant’s Sea of Trees, with Matthew McConaughey; and Three Generations, with Susan Sarandon. Watts will begin shooting the psychological thriller Shut In this spring. Watt has starred in many other films in recent years, including the biopic Diana, in the lead role as the iconic Princess Diana; Adore, with Robin Wright, based on a story by Nobel-laureate Doris Lessing; Clint Eastwood’s critically acclaimed J. Edgar, starring opposite Leonardo DiCaprio; Doug Liman’s Fair Game, starring opposite Sean Penn; Woody Allen’s You Will Meet a Tall Dark Stranger, part of an all-star cast including Josh Brolin, Anthony Hopkins and Antonio Banderas; Rodrigo García’s Mother and Child, for which she received an Independent Spirit Award® nomination for Best Supporting Actress; and Tom Tykwer’s The International, with Clive Owen. For her acclaimed turn in David Lynch’s controversial drama Mulholland Drive, Watt earned Best Actress awards from a number of critics’ organizations including the National Board of Review and National Society of Film Critics. In addition to starring in Peter Jackson’s epic remake of King Kong, her other credits include We Don’t Live Here Anymore, which she starred in and produced; The Assassination of Richard Nixon, opposite Sean Penn and Don Cheadle; David O. Russell’s I Heart Huckabees, with Jude Law and Dustin Hoffman; Marc Forster’s Stay, opposite Ewan McGregor and Ryan Gosling; Gore Verbinski’s The Ring and its sequel, The Ring 2; Merchant-Ivory’s Le Divorce, alongside Kate Hudson, Glenn Close and Stockard Channing; John Curran’s The Painted Veil, opposite Edward Norton, which was based on W. Somerset Maugham’s novel; David Cronenberg’s Eastern Promises, opposite Viggo Mortensen; and Michael Haneke’s thriller Funny Games. Born in England, Watts moved to Australia at the age of 14 and began studying acting. Her first major film role came in John Duigan’s Flirting. She produced and starred in the short film Ellie Parker, which screened in competition at the 2001 Sundance Film Festival. In 2005, a full-length feature version of the short debuted at Sundance. Among her many awards and recognitions, Watts received the Montecito Award from the Santa Barbara Film Festival in 2006 for her role in King Kong; was honored by the Palm Springs Film Festival in 2003 for 21 Grams; and in 2002 was named the Female Star of Tomorrow at ShoWest and received the Breakthrough Acting Award at the Hollywood Film 39

Festival, both for her work in Mulholland Drive. She was also honored for her entire body of work at the 2011 Deauville Film Festival. Watts resides in Los Angeles and New York with her partner and two sons. KATE WINSLET (Jeanine Matthews) is an Academy Award®-winning actress who has brought to life some of cinema’s most captivating and memorable roles, solidifying her permanent place in cinema history. Her resume consists of critically and commercially acclaimed work as well as a span of awards and honors that illustrate Winslet’s talent. Winslet won her first Academy Award®, after a stunning five previous nominations, for her role as Hannah Schmitz in Stephen Daldry’s 2008 drama The Reader. Among many honors, she also won a Golden Globe®, SAG Award®, BAFTA and Critics’ Choice Award. That year she also starred in Revolutionary Road, directed by Sam Mendes, which reteamed her with Titanic co-star Leonardo DiCaprio. Winslet won a Golden Globe® and received many nominations for her portrayal of April Wheeler. At the end of 2014 Winslet shot Jocelyn Moorhouse’s The Dressmaker, based on the novel by Rosalie Ham. Winslet will also star in A Little Chaos, an upcoming British period drama directed by Alan Rickman and written by Alison Deegan. She plays a landscape gardener involved in the creation of the gardens at Louis XIV’s Versailles. The film also stars Alan Rickman, Stanley Tucci and Helen McCrory. 2015 will also see the release of Triple Nine, where Winslet stars opposite Chiwetel Ejiofor, Casey Affleck, Gal Gadot, Aaron Paul and Norman Reedus. Raised in a family of actors, Winslet began performing for British television when she was 13. At the age of 17, she made an international name for herself in Peter Jackson’s feature film Heavenly Creatures. She followed that in 1995 with her role as Marianne Dashwood in Ang Lee’s Sense and Sensibility. Winslet received her first Academy Award® nomination for this performance and was also nominated for a Golden Globe®. She then went on to win the BAFTA and the Screen Actors Guild Award®. Winslet co-starred with Christopher Eccleston in Michael Winterbottom’s Jude and then played Ophelia in Kenneth Branagh’s Hamlet before appearing as the iconic survivor, Rose, in James Cameron’s Titanic. At the age of 22 Winslet received her second Academy Award® nomination for this role and the honor of being the youngest actress ever to be nominated for two Academy Awards®. 40

In 1997 Winslet starred as Julia in Hideous Kinky, directed by Gillies McKinnon, and in 1998 she co-starred with Harvey Keitel in Jane Campion’s comedic drama Holy Smoke. She also starred in Philip Kaufman’s period drama Quills, alongside Geoffrey Rush, Joaquin Phoenix and Michael Caine. Winslet starred in the 2001 Richard Eyre production of Iris, playing the young Iris Murdoch to Judi Dench’s older Iris, and received Golden Globe® and Oscar® nominations. She next starred in Michael Apted’s Enigma, a spy drama about code breakers during WWII, and The Life of David Gale, with Kevin Spacey. She dyed her hair blue and orange for her portrayal of the quirky Clementine in Eternal Sunshine of the Spotless Mind, for which she received Academy Award®, Golden Globe® and BAFTA nominations for Best Actress. She then went on to star opposite Johnny Depp in Finding Neverland, which was named the Best Film of 2004 by the National Board of Review. In 2006 Winslet was seen in All the King’s Men, with Jude Law and Sean Penn, directed by Steven Zaillian. She then extended her voice to the animated feature Flushed Away and finished the year in the romantic comedy The Holiday, opposite Cameron Diaz, Jude Law and Jack Black. Winslet then starred opposite Patrick Wilson and Jennifer Connelly in Todd Field’s Little Children, for which she received her fifth Academy Award® nomination for Best Actress. Winslet then filmed the title role in HBO’s multiple-award-winning, five-part miniseries Mildred Pierce (2010), for which she won an Emmy®, Golden Globe® and SAG Award® as Best Actress. She joined the ensemble cast of Steven Soderbergh’s Contagion and starred in Roman Polanski’s Carnage, which premiered in competition at the 2011 Venice Film Festival. She co-starred with Josh Brolin in director Jason Reitman’s Labor Day, which premiered at the 2013 Toronto Film Festival and earned Winslet a Golden Globe ® nomination for Best Actress. In 2012 Winslet was awarded the CBE, which she received from Queen Elizabeth II in a ceremony at Buckingham Palace. She was also awarded a star on the Hollywood Walk of Fame in 2014, cementing her status amongst the stars of Hollywood. EMJAY ANTHONY (Hector) was recently seen playing Percy, the young son of Jon Favreau’s and Sophia Vergara’s characters in the feature film Chef (written, directed and 41

produced by Favreau). Anthony will again be joining Favreau in the upcoming Disney film The Jungle Book, as the voice of Grey. Now 11, Anthony was born to Trisha and Michael Salazar in Clearwater Beach, Florida. After living a rather adventurous lifestyle, even racing dirt bikes with training wheels at the age of 3, he began modeling and was selected for a national Werther’s candy commercial at 4. When Anthony was 5 his family relocated to his parents’ home state of California and within the first year he booked the 2009 feature film It’s Complicated, starring Meryl Steep and Alec Baldwin. Anthony played the role of Baldwin’s stepson Pedro. After a short break to focus on schooling, Anthony returned to acting and booked several national commercials as well as the CBS pilot Applebaum, starring Rachelle Lafevre and Rhys Coiro, and the Fox series Rake, starring Greg Kinnear. Anthony also worked on the series Grey’s Anatomy and The Mentalist. Anthony will soon be seen in Universal Pictures’ upcoming feature Incarnate, starring Aaron Eckhart. In addition, he recently filmed the ABC television pilot Members Only, with Betsy Brandt. When he is not working or at school, Anthony enjoys playing Airsoft and riding his bike with his dad. KEIYNAN LONSDALE (Uriah) will next be seen in The Finest Hours (Walt Disney Pictures) as Eldon Hanan, starring opposite Chris Pine, Eric Bana, Ben Foster and Casey Affleck. Lonsdale grew up in St. Marys, Australia, about an hour west of Sydney. He had a passion for music at a young age, learning every lyric to Michael Jackson’s songs while moonwalking around his living room. Throughout elementary and junior high school Lonsdale’s interest in the arts grew, and his mom decided to enroll him in a performing arts high school where he could focus half the day on academics and the other half on performing. Lonsdale was a natural, excelling in his first love, dance, but also in acting, singing and writing. Upon graduation he was cast as ensemble and the understudy for Tyrone in Fame: the Musical, a role he played for 10 months. Lonsdale went on to star in 25 episodes of the award-winning Australian television series Dance Academy from 2012-13. Dance Academy brought him back to his roots, as the show followed a handful of teenagers who attend the 42

prestigious National Academy of Dance. He originally was cast with a guest-star role but by Season Three was made a series regular. Between the show’s second and third seasons Lonsdale also built a strong relationship with MTV, quickly becoming the face of MTV Australia and New Zealand. For two years he hosted MTV News, attended and hosted various festivals for the network, starred in commercials, and interviewed artists such as Miguel, Jessie J and Disclosure, to name a few. Working in scripted television while also working behind the scenes and in front of the camera at MTV was the perfect boot-camp for Lonsdale. SUKI WATERHOUSE (Marlene) is one of the U.K.’s most influential models, with recent campaigns for Burberry, Sass & Bide, Superga, Forever 21 and H&M. She has appeared on the covers of ELLE and Vogue. In 2012 Waterhouse made a successful transition into acting with her first film role, in Pusher. The award-nominated crime thriller follows a street dealer as his life deteriorates over the course of a week. She recently starred as Bethany in Love, Rosie, alongside Lily Collins and Sam Claflin. The comedic romance is based on the 2004 novel Where Rainbows End and follows two childhood friends who retain a strong connection despite Bethany coming between them. In 2010 Waterhouse was also seen in the television dramedy Material Girl. Waterhouse recently filmed her role as Kitty Bennett in the cinematic adaptation of Seth Grahame-Smith’s international bestseller Pride and Prejudice and Zombies. Based on Jane Austen’s classic tale of the tangled relationships between lovers from varying social classes in the 19th century, England is now faced with a new challenge – an army of undead zombies. She stars alongside an all-star cast including Charles Dance, Lena Headey and Lily James. ASHLEY JUDD (Natalie Prior) is an eighth-generation Eastern Kentuckian. She first proved her acting abilities as Ruby Lee Gissing in Victor Nuñez’s internationally acclaimed Ruby in Paradise, her debut feature-film role. Having won major acting awards worldwide, Judd has demonstrated her range in a variety of genres and is a proven boxoffice draw. Most recently, Judd appeared in Dolphin Tale 2, the sequel to 2011’s hit family film Dolphin Tale. Judd reprised her role as Lorriane Nelson alongside Morgan Freeman, 43

Harry Connick Jr. and Kris Kristofferson. This year Judd also starred in Big Stone Gap, directed by Adriana Trigiani with co-stars Jane Krakowski, Patrick Wilson, Jenna Elfman and Whoopi Goldberg. In 2014 Judd portrayed Natalie Prior in the film adaptation of Veronica Roth’s New York Times bestseller Divergent. In 2012 Judd starred in the ABC miniseries Missing as Becca Winstone, an ex-CIA agent who would do anything to get her son back after discovering he disappeared while studying abroad. Sean Bean, Cliff Curtis and Adriano Giannini co-starred. Judd was nominated for a Primetime Emmy® for Outstanding Lead Actress in a Miniseries or Movie. In 2011 Judd co-starred with Patrick Dempsey and Tim Blake Nelson in the independent film Flypaper, written by Jon Lucas and Scott Moore, directed by Rob Minkoff. Judd portrayed a bank teller caught in the middle of two simultaneous robberies. In 2010 Judd co-starred with Dwayne Johnson in the family film Tooth Fairy, playing the wife of a hard-hitting minor-league hockey player who is sentenced to one week of tooth-fairy duty after telling his daughter that tooth fairies aren’t real. In 2009 Judd starred in the independent film Helen, written and directed by Sandra Nettlebeck. This dramatic story revolved around a music professor (Judd) who suffered from a deep, debilitating depression and the only person who could relate to her pain was a young female student. Helen premiered at the 2009 Sundance Film Festival and was released in theaters the following year. Judd starred in the feature film Come Early Morning in 2006, written and directed by actress Joey Lauren Adams. That same year she played a lonely, paranoid and traumatized recluse in Bug, written by Tracy Letts, based on his play of the same name and directed by William Friedkin. The film won the International Press Award at Cannes in 2006 and Judd’s performance generated a considerable amount of critical acclaim. The film was embraced by critics and audiences at the Sundance Film Festival as well, which was Judd’s first time at the festival since her debut in Ruby in Paradise. On the small screen, Judd appeared as the focus of a National Geographic documentary featuring her travels to India in early 2007, part of her ongoing commitment as global ambassador for YouthAIDS. The documentary aired on December 1, World AIDS Day. In 2006 a similar documentary aired on The Learning Channel that featured Judd’s

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travels to Central America with her friend, colleague, actor, feminist and human rights activist Salma Hayek. In 2004 Judd delivered a heartfelt, emotional performance as socialite Linda Lee Porter in the Cole Porter biopic De-Lovely, for which she earned a Golden Globe® nomination. The film chronicled their marriage, which inspired such famous Cole Porter tunes as “Anything Goes.” De-Lovely premiered at the Cannes Film Festival. Also in 2004, Judd starred in Twisted for director Philip Kaufman. She starred on Broadway for six months in the leading role of Maggie in Tennessee Williams’ Cat on a Hot Tin Roof, produced by Bill Kenwright and directed by Anthony Page. The production was a success by all standards. Judd had a very successful and diverse 2002. She had a small but significant appearance as Tina Modotti in Julie Taymor’s biopic, Frida, and logged a strong supporting role in Callie Khouri’s The Divine Secrets of the Ya-Ya Sisterhood, part of an impressive cast including Sandra Bullock, Ellen Burstyn, Maggie Smith and James Garner. Judd also starred in High Crimes, which re-teamed her with Kiss the Girls co-star Morgan Freeman. The film was written by Joseph Finder and directed by Carl Franklin. She starred with Greg Kinnear and Hugh Jackman in Someone Like You, for director Tony Goldwyn. Other film credits include Where the Heart Is, opposite Natalie Portman; Bruce Beresford’s box-office success Double Jeopardy, opposite Tommy Lee Jones; and Eye of the Beholder, with Ewan McGregor. Judd also starred in the 1998 drama Simon Birch, based on the John Irving novel A Prayer for Owen Meany. In 1997 Judd starred opposite Morgan Freeman in the hit Kiss the Girls, In The Locusts, she co-starred opposite Vince Vaughn and Kate Capshaw. Judd was also seen in Michael Mann’s Heat, opposite Robert DeNiro, Al Pacino and Val Kilmer. In the summer of 1996 she appeared in Joel Schumacher’s A Time to Kill, opposite Samuel L. Jackson, Sandra Bullock and Matthew McConaughey. In late 1996 she starred opposite Luke Perry in John McNaughton’s black comedy Normal Life. Also in 1996, Judd received an Emmy® nomination and a Golden Globe® nomination for her portrayal of Norma Jean Dougherty in HBO’s Norma Jean & Marilyn. Judd made her debut theater performance in the Naked Angels production of Busted, directed by Timothy Hutton. She then went on to star on Broadway in William Inge’s 45

Pulitzer Prize-winning play Picnic, at the Roundabout Theatre Company. Judd was simultaneously filming an unforgettable supporting role in the film Smoke, portraying the daughter of Harvey Keitel and Stockard Channing. Judd is a member of the board of directors for PSI (Population Services International). She joined PSI as a board member in 2004 after serving as global ambassador for PSI’s HIV education and prevention program, YouthAIDS, since 2002. Judd has visited PSI programs in Thailand, Cambodia, Madagascar, Kenya, South Africa, Guatemala, Honduras, Nicaragua, El Salvador, India, Rwanda and the Democratic Republic of Congo. In her work, she witnesses the lives of the exploited and poor to help educate the world about the reality of global poverty and bring solutions to the devastating effects of social injustice and gender inequality. In her role as PSI board member, she has graced the covers of countless magazines and been the subject of newspaper and television interviews bringing vital awareness to issues closest to her heart: gender inequality and poverty alleviation. Judd has visited legislators on Capitol Hill, addressed the General Assembly of the U.N. on the scourge that is human trafficking, spoken at the National Press Club, and testified before the Senate Foreign Relations Committee for the protection of vulnerable women from violence, sexual abuse and HIV. Most recently, she served as an expert panelist at Clinton Global Initiative to discuss the issue of safe water and the empowerment of girls in the developing world. PSI is a DC-based nonprofit organization operating in more than 65 countries. With programs in malaria, reproductive health, child survival and HIV, PSI promotes products, services and healthy behavior that enable low-income and vulnerable people to lead healthier lives. Judd is also a spokesperson for the organizations Defenders for Wildlife and The Sierra Club, providing her time and voice to advocate against practices of aerial wolf hunting (Defenders for Wildlife), and mountaintop-removal coal mining (The Sierra Club). A Phi Beta Kappa nominee and honors student of the University of Kentucky with a major in French and four minors, Judd studied the Meisner technique in acting when she first went to Hollywood. In 2010 she received her mid-career master’s in public administration from Harvard University’s John F. Kennedy School of Government. Judd resides in Tennessee with her beloved pets and enjoys a quiet, rural life.

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ABOUT THE FILMMAKERS ROBERT SCHWENTKE (Director) was already an award-winning director in his native Germany when he made his American film debut with the 2005 thriller Flightplan, starring Jodie Foster. From there he went on to direct Eric Bana and Rachel McAdams in The Time Traveler’s Wife, after which he helmed the hit RED (2010), starring Bruce Willis, Morgan Freeman, John Malkovich and Helen Mirren. He most recently directed the Jeff Bridges starrer R.I.P.D. Schwentke studied comparative literature and philosophy before attending the directing program at the American Film Institute. BRIAN DUFFIELD (Screenwriter) is the first born of Brian and Brenda Duffield of Pennsylvania, who became missionaries in Ireland. Not allowed to watch television or movies while growing up, he snuck film novelizations and Harry Potter and Stephen King books into the house and eventually began writing his own screenplays. Duffield graduated from Messiah College and Temple University in 2008. He has been a professional screenwriter since selling his 2010 Black Listed screenplay Your Bridesmaid Is a Bitch to Skydance Productions, which he accomplished while working at a clothing factory in Vernon, California. Recent credits include Jane Got a Gun, starring Natalie Portman. His screenplay The Babysitter was bought by Wonderland Sound and Vision at the end of 2014, with a shoot scheduled for later this year. Next up is his directorial debut, Vivien Hasn’t Been Herself Lately, a horror-romance produced by Before the Door. Duffield currently lives in Los Angeles with his wife and a puppy named Millie. AKIVA GOLDSMAN (Screenwriter) is an Academy Award®-winning writer, producer and director. His writing credits include The Client, A Time to Kill, Batman Forever, Practical Magic, I Robot, Cinderella Man, The Da Vinci Code, I Am Legend, Angels & Demons and A Beautiful Mind, for which he won an Academy Award®, a Golden Globe® and a Writers Guild of America (WGA) Award. His producing credits include Deep Blue Sea, Constantine, Mr. & Mrs. Smith, Hancock, Paranormal Activity 2, 3 and 4, Lone Survivor and the upcoming Knights of the Roundtable: King 47

Arthur. Directing credits include Kings, Fringe, Winter’s Tale and the upcoming Universal Pictures release Stephanie. Goldsman was raised in Brooklyn Heights, New York, and received his bachelor’s degree from Wesleyan University before attending the graduate fiction-writing program at New York University. MARK BOMBACK (Screenwriter) has amassed such film credits as Dawn of the Planet of the Apes, The Wolverine, Total Recall, Unstoppable, Live Free or Die Hard, Deception, Race to Witch Mountain and Godsend. His projects currently in development include Untitled Planet of the Apes Sequel (20th Century Fox), The Art of Racing in the Rain (Universal), Shadow Divers (20th Century Fox), Agent Zigzag (New Line/Warner Bros.) and The Umbrella Academy (Universal). While primarily a writer of feature films, Bomback co-developed with Howard Gordon (Homeland) the TV series Legends, for TNT. He co-authored with novelist Galaxy Craze a young adult novel called Mapmaker, which will be published in Spring 2015 by Soho Teen. When his schedule permits, Bomback teaches a class in screenwriting at his alma mater, Wesleyan University. He lives in New York with his wife and four children. VERONICA ROTH (Novel by, Co-Producer) is the No. 1 New York Times bestselling author of Divergent, Insurgent, Allegiant and Four: A Divergent Collection. To date, book sales are now over 31 million copies for all three novels combined, and eBook sales for all four titles have set records in the publishing industry. The series has also been sold internationally in 48 territories. A graduate of Northwestern University’s creative writing program, Roth often chose to work on the story that would become Divergent instead of doing her homework. Now a full-time writer, Roth and her husband call the Chicago area home. DOUGLAS WICK (Producer) is an award-winning motion-picture producer whose movies have earned more than $2 billion at the box office as well as 22 Oscar ® nominations and seven Oscar® wins. Along with his partner Lucy Fisher, he is co-head of

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Red Wagon Entertainment. Wick and Red Wagon’s most recent production was the international blockbuster Divergent. In 2013 Fisher and Wick produced The Great Gatsby, which was directed by Baz Luhrmann, starred Leonardo DiCaprio and won two Academy Awards®. Wick also produced Gladiator, the Ridley Scott-directed epic that won five Academy Awards® including Best Picture and became a worldwide cinematic phenomenon, winning two Golden Globes®, four BAFTAs, the Producers Guild of America’s Motion Picture of the Year Award, the MTV Movie Award for Best Movie and the AFI’s Movie of the Year. Wick also garnered a bevy of Academy Award® nominations and a Golden Globe® win for his first solo producing effort Working Girl, directed by Mike Nichols. Wick’s Girl Interrupted won Angelina Jolie both an Academy Award® and a Golden Globe® for her breakthrough performance. Wick’s prior films also include the family hit Stuart Little, starring the first CGI leading man; Wolf, directed by Mike Nichols, starring Jack Nicholson and Michelle Pfeiffer; The Craft, with Fairuza Balk; Spy Games, which paired Robert Redford and Brad Pitt under director Tony Scott; and Paul Verhoeven’s Hollow Man, starring Kevin Bacon. In 2001 Wick expanded his Red Wagon Entertainment to bring in Lucy Fisher, former vice chairman of Sony’s Columbia Tri-Star Motion Picture Group, as co-head. The first picture in their new partnership was Stuart Little 2, the sequel to the Wick-produced Stuart Little. Wick and Fisher went on to produce a wide range of motion pictures together including Jarhead, Peter Pan, Lawless and Memoirs of a Geisha, which was nominated for six Academy Awards® and won three Oscars®. After graduating cum laude from Yale, Wick began his career as a production assistant for filmmaker Alan Pakula. He earned his first credit as associate producer on Starting Over. Wick is the co-founder of CuresNow, an organization that promotes regenerative medicine and stem-cell research. In addition, he has been a co-chair of Prop 71, the successful Stem Cell initiative in California, which now awards $3 billion for stem-cell research in the state. He has also served on the board of trustees for the Center for Early Education in Los Angeles and the board of directors for the Producers Guild of America. His many awards include the NATO ShoWest Producer of the Year award, the Producers Guild of America’s David O. Selznick Achievement Award in Theatrical Motion 49

Pictures, The Hollywood Film Festival Producer of the Year Award, the Santa Barbara International Film Festival’s Producer of the Year, the Motion Picture Club’s Producer of the Year, The Saturn Award, the Los Angeles Father of the Year Award and Friends of Cancer Research Advocacy’s Lifetime Achievement Award. LUCY FISHER (Producer) is the former vice chairman of the Columbia Tri-Star Motion Picture Group at Sony Studios and an award-winning motion picture producer. Along with her partner Douglas Wick, she is co-head of Red Wagon Entertainment. Fisher and Red Wagon’s most recent production was the international blockbuster Divergent. In 2013 Fisher and Wick produced The Great Gatsby, which was directed by Baz Luhrmann, starred Leonardo DiCaprio and won two Academy Awards®. During Fisher’s tenure as vice chairman at Sony, the studio broke all-time industry records for biggest domestic and worldwide grosses with films she supervised. These included Men in Black, My Best Friend’s Wedding, Air Force One, Jerry Maguire, As Good As It Gets and Stuart Little. After leaving the executive suite, Fisher partnered with Oscar®-winning producer Douglas Wick (Gladiator, Working Girl), and together they produced a wide range of critically acclaimed and popular movies including Jarhead, Peter Pan, Stuart Little 2, Lawless and Memoirs of a Geisha, which was nominated for six Academy Awards® and won three. Before moving to Sony, Fisher served for 14 years as executive vice president of worldwide production at Warner Bros., where she developed and supervised a diverse range of films including The Fugitive, The Color Purple, Gremlins, The Goonies, Malcolm X, Space Jam, Empire of the Sun, The Outsiders and The Witches of Eastwick. Fisher previously served as vice president of production at 20th Century Fox before being tapped as head of worldwide production for Francis Ford Coppola’s Zoetrope Studios. In addition to her creative achievements, Fisher is widely considered a pioneer for women and working mothers in the entertainment industry. She was the driving force behind the on-site Warner Bros. Studio Children’s Center, which has since provided care for over 2000 children and served as a prototype for day-care centers at other studios. Fisher’s many awards include the Producer’s Guild of America’s David O. Selznick Achievement Award in Theatrical Motion Pictures, The Hollywood Film Festival “Producer of the Year” Award, the Hollywood Award for Outstanding Achievement in Producing, the Crystal Award from Women in Film, Premiere Magazine’s Icon Award, and Friends of 50

Cancer Research Advocacy’s “Lifetime Achievement Award.” She has also been listed as one of Fortune magazine’s 50 Most Powerful Women in American Business. After their youngest daughter was diagnosed with juvenile diabetes, Fisher and Wick co-founded CuresNow, an organization that promotes regenerative medicine and stem cell research. She served as co-chair of Prop 71, the successful stem cell initiative in California, which now awards $3 billion for stem cell research in the state of California. A cum laude graduate of Harvard, Fisher has served on the Harvard Board of Overseers and also is vice chairman. Additionally, Fisher is an advisor to the Harvard Office of the Arts. POUYA SHAHBAZIAN (Producer) marked his major-motion picture feature debut with Divergent. In 2013 The Hollywood Reporter named him to its prestigious Next Gen list, profiling 35 executives age 35 and under who are up-and-coming in the industry. For the past seven years he has helped to launch some of the hottest literary bestsellers while representing more than 100 international authors as head of the film and television division of Manhattan-based New Leaf Literary & Media. In addition, Shahbazian represents screenwriters and playwrights as they develop and produce film, television and literary projects. Shahbazian entered the entertainment industry at Warner Bros. and later joined The Broder-Webb-Chervin-Silbermann Agency’s motion picture literary department. He cofounded ManDown Pictures & Management in 2007, where he developed and produced the Independent Film Channel (IFC) travel series Young, Broke & Beautiful. For 2015 he currently is slated to begin production on internationally acclaimed and BAFTA-winning writer-director Andrea Arnold’s U.S. debut feature, American Honey, with Film4 and Pulse Films. His other current film development projects include Sony Pictures’ Apollo Rising, with Stan Lee, Avi Arad, Michael Costigan and Benderspink producing. He is producing a number of high-profile adaptations including American Blood at Warner Bros., with Bradley Cooper attached to star and produce; Kiera Cass’ worldwide sensation and No. 1 New York Times bestseller, The Selection series; New York Times bestselling author Patrick Lee’s latest series, Runner, set up at Warner Bros., with Justin Lin attached to direct; Evan Mandery’s Q: A Novel, set up at Sony Pictures with Matt Tolmach producing and David Gordon Green 51

attached to write and direct; young adult series Arclight, in association with Imagine Entertainment and Universal Pictures; Leigh Bardugo’s New York Times bestseller Shadow and Bone, set up at DreamWorks with Harry Potter series producer Heyday Films; and the adaptation of HarperCollins’ much-anticipated Red Queen, at Universal Pictures. Shahbazian is a graduate of the University of Virginia and lives in Greenwich, Connecticut with his wife and two young sons. NEIL BURGER (Executive Producer) most recently directed the 2014 hit film Divergent, based on the novel by Veronica Roth. He is currently in development on Billions, a Showtime television movie starring Paul Giamatti and Damian Lewis. Previous credits include Limitless, starring Bradley Cooper and Robert De Niro, which opened No. 1 at the box office and grossed over $160 million worldwide; and the critically acclaimed The Illusionist, starring Edward Norton, Paul Giamatti and Jessica Biel. Burger based his screenplay for the film on the short story “Eisenheim the Illusionist,” by Pulitzer Prize-winning author Steven Millhauser. He made his directorial feature debut with Interview with the Assassin (2002), which he also wrote, winning the Best Feature Film category at both the Woodstock Film Festival and Avignon Film Festival. It received nominations for three Independent Spirit Awards® including Best First Film and Best First Screenplay. Burger also wrote and directed The Lucky Ones, starring Rachel McAdams and Tim Robbins. Before the transition to feature films, Burger directed commercials for companies such as Mastercard, IBM and ESPN. He created a series of television spots for Amnesty International and their campaign for “prisoners of conscience.” He also created and directed the award-winning campaign “Books: Feed Your Head” for MTV, which promoted language and literature. A graduate of Yale with a degree in fine arts, Burger currently resides in New York City with his family.

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"INSURGENT" Unit Production Manager

Barry Waldman

First Assistant Director

John Wildermuth

Second Assistant Director

Christina Fong

Executive in Charge of Production

Donna Sloan

Co-Producer

Tina Anderson

Supervising Sound Editors

Dave McMoyler Wylie Stateman

Rerecording Mixers

Michael Minkler, CAS Christian P. Minkler

CAST Jeanine Eric Max Tris Four Caleb Peter Amity Divergent Woman Amity Divergent Husband Amity Teacher Amity Server Johanna Christina Will Andrew Natalie Connor Odessa Amity Horse Girl Marcus Amity Hot Blonde Amity Seth Amity Dauntless Soldiers Edgar

Kate Winslet Jai Courtney Mekhi Phifer Shailene Woodley Theo James Ansel Elgort Miles Teller Cynthia Barrett Justice Leak Lyndsi LaRose Charlie Bodin Octavia Spencer Zoë Kravitz Ben Lloyd-Hughes Tony Goldwyn Ashley Judd Konrad Howard Lucella Costa Devon Lane Tresan Ray Stevenson Stephanie Schuland Leonardo Santaiti Derik Pritchard Ian Casselberry Jonny Weston

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Evelyn Uriah Marlene Hector Lynn Tori Candor Guard Jack Kang Candor Dauntless Solider Erudite Tech #1 Erudite Tech #2 Erudite Administrator Candor Teenage Girl Candor Small Girl Candor Divergent Man Lauren Factionless Kid #1 Factionless Kid #2 Erudite Cell Guard Erudite Control Room Tech #1 Erudite Control Room Tech #2 Edith Prior Stunt Coordinator "Tris" Stunt Doubles Lead Stunt Rigger Utlity Stunts

Naomi Watts Keiynan Lonsdale Suki Waterhouse Emjay Anthony Rosa Salazar Maggie Q Kendrick Cross Daniel Dae Kim David Landry Lawrence Kao Justin Miles Hunter Burke Kate Rachesky Callie McClincy Peter Burris Justine Wachsberger Isadore Lieberman Nicholas Martin Nelson Bonilla Arian Ash Clute Jane Park Smith Janet McTeer Darrin Prescott Shauna Galligan Elisabeth Carpenter Arturo Joe Dickey William G. Ambrose Kelly Bellini Joanna Bennett Matt Berberi Tamiko Brownlee Rico Burgos Kevin Chase Anis Cheurfa Adam Ciesielski Marcelle Coletti Jeremy Conner Steve Conroy Brandon Cornell Scott Cosgrove Raven Danielle Elizabeth Davidovich Keith Davis Matthew Leroy Davis Nick DeKay Greg Dela Riva Jacob Dewitt Rockey Dickey

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Yan Dron Seth Duhame Bob Fisher Alessandro Folchitto Justin Gant Jacob Garcia Duffy Gaver Anthony Genova Daniel Graham Tad Griffith Dante Ha Daniel Hargrave Nicholas M. Hayner Randy Haynie Crystal Hooks Natascha Hopkins Robert Houillion Brendon Huor Scott Hunter CC Ice Duke Jackson Bobby Jordan Antal Kalik David Kilde Keone Kim Ralf Koch Paul Lacovara Jasi Lanier Scott R. Loeser Maggie MacDonald Jeremy A. Marinas Nicole Marines Aby Martin Michael S. McGuire Kyle McLean Jessica Merideth Chris Moore Dino Muccio Spencer Mulligan Mark Norby Haley Nott Marque Ohmes Jim Palmer David Plumb Griffith III Vanessa Vander Pluym Derik Pritchard Rebecca Ray Mark Rayner Cody Robinson Corrina Roshea

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Marvin Ross John D. Ross Steven Rummenie Elena Sanchez Maya Santandrea Todd Schneider Jordan Scott Josh Seifert John J. Shim Karin Silvestri Remington Steele Christopher Tardieu Sean Taylor Aaron Toney Carol Lane Tresan Michael Trisler Ashley Rae Trisler Amy Lynn Tuttle Jaye Tyroff Diego Ward William A. Weber Kyle Weishaar Dan Wynands Stand-Ins

Matt Eldridge Emerick Martin Alana Shaw Chaun Archer Ana Alvarez Jada Taylor Garrett Able Al Daniel Curtis Drafton Kim Zoe Timothy Daniel Andrea Guerrero CREW

Production Supervisor Second Unit Director Supervising Art Director Art Directors Set Decorator

Candice Campos James Madigan Alan Hook Jay Pelissier Michael H. Ward Kathy Lucas

Associate Producer

Julia T. Enescu

"A" Camera Operator

Thomas Lappin

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First Assistant "A" Camera Second Assistant "A" Camera "B" Camera / Steadicam Operators First Assistant "B" Camera Second Assistant "B" Camera Digital Utility Digital Loader DIT Still Photographer Visual Effects Producer First Assistant Editors Second Assistant Editors Visual Effects Editor Post Production Coordinator Post Production Assistant Script Supervisor Production Sound Mixer Boom Operator Second Boom Operator Additional Utility Video Assist

Production Coordinator Assistant Production Coordinator Travel Coordinator Production Secretary Housing Secretary Front Office Manager Office Production Assistants

Production Accountant First Assistant Accountant Payroll Accountant Second Assistant Accountants

Heather M. Norton Matthew Haskins Courtney Drewes P. Scott Sakamoto Dave Thompson, S.O.C. Dennis Seawright Jorge Sanchez Victoria K. Warren Sagar Desai Violet Jackson Dave Satin Andrew Cooper, SMPSP Erika McKee Tony Bacigalupi Brian Spirnak Madelaine Jereczek Trudy Yee Neil Greenberg Amanda Weir Alexis Corrigan Alicia Accardo Peter J. Devlin, CAS Kevin Cerchiai Jason C. Lewis Mike Sansom Adam Meadows David Deever Paula Stier David Heffler Mark Swenson Leah Kaina Rebecca Drummond Robert Beckwith McDonald Miguel Victorio Danielle Halagarda Caitlin Macbride Christine Choi Matthew K. Grigsby Tracy Browne Jeffrey Gladu Rufus Rosendo Adrienne L. Graves Kimberly Shavon Smith

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Payroll Assistant Accounting Clerk Construction Accountant Post Production Accounting by

Supervising Location Manager Location Manager Key Assistant Location Managers Location Scouts Location Assistants

Key Grip Best Boy Grip Local Best Boy Grip "A" Camera Dolly Grip "B" Camera Dolly Grip Grips

Security Grips

Key Rigging Grip Local Key Rigging Grip Best Boy Rigging Grip Rigging Grip Gangboss Rigging Grips

Libra Head Technician Gaffer

Lauren A.Taylor Namratha Prasad George Sarah Elizabeth Harwich Diana Ascher Trevanna Post, Inc Janice Polley Julie Hannum Keomanee Vilaythong Elizabeth A. Wright Lori A. Balton, LMGA Richard Klotz Julia "JuJu" Renner William Maursky Benjamin Muratet Ryan Neal Charlie Marroquin Nick Haines-Stiles Ryan Ferguson Andrew Sweeney Bill Wynn Michael Kirsch Matt Alexander Charles Arnold John Grubb Chris "Demon" Moore Frank Joseph Ryan Charlotte Acker Chris Cooley Johnny Stubbs Craig Vaccaro Kevin Jackson Manuel "Manny" Rivera Matthew Shearer Fawzi Assil Justin Bernhard Tony Bryant Arturo Dante Calero Broderick Donaldson David Maverick Baker-Fahey Dustin Havnen Anthony Martinez Thabo Mokgotho Robert F. Moody Jr. Vanessa Smithen James L. Still Sebastian Almeida Christopher Matthew Culliton

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Best Boy Electric Local Best Boy Electric Electricians

Balloon Technicians Rigging Gaffer Rigging Best Boy Electric Rigging Electricians

Fixtures Fixtures Technicians

Dimmer Board Operator Dimmer Technicians

Assistant Art Director Set Designers

Art Department Coordinator Storyboard Artists

Graphic Artist Concept Artists

Jarek Gorczycki Chad Schroeder Brian Adams Marek Bojsza Daniel Durr Justin Elder Jeff Harkes Andrew Martin Zach Tharp Mark Carlile Marc Shearer Michael P. Tyson Donny Fowler Khalid Lance Bregeth Devin Clark Justin Cowart George Crusselle Jonathan Escobar Grayson Hunter John Larimore Mike Robertson Daniel Talley Jordan Tyson David Scott Cat Cravens-Penrod Nate Peirson John Richard Walden David Slodki Matthew J. Klann Robert Russell Rachel Block Patrick Dunn Baker Mayumi Konishi-Valentine Timothy Croshaw Scott Schneider Sam Page Robert Fechtman Chloe Lipp Amy Lynn Umezu Robert Consing Anthony Leonardi III Anthony Lee Winn Zachary Fannin Jamie Rama Craig Shoji Raj S. Rihal Nathan Schroeder Wil Madoc Rees Fabian Lacey

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Model Maker Data Asset Manager Researcher Art Department Production Assistants

Leadman Set Decoration Gang Boss On-Set Dresser Set Dressers

Set Decoration Painter Set Decoration Buyer Local Set Decoration Buyer Set Decoration Coordinator Greens Coordinator Greens Set Foreman Greensmen

Property Master Assistant Property Master Weapons Armorers Property Assistants

Special Effects Supervisor Special Effects Coordinator Special Effects On-Set Coordinator Special Effects Buyer Special Effects Foremen

Kasra Farahani Scot Erb Joel Thomas Guros Lizzy Jane Klein Erika Burke Carrie Diana Curtis Meagen Lee Dorothy W. Whalen David Manhan Christopher Casey Tripp Norton Hank Curtis Matthew Lee Flory Lonam Russell Fogleman III Aimee Holmberg Kip Jamison Frank "Mac" McKeever Matthew Miller Frankie Walker Jeffery Lee Ellis Kathleen Rosen Charlotte Lee Dara Watson Jeff DeBell Pedro I. Barquin Nicholas Clements Codey Courtemancht Jessica Echols Cary Goen John Hemphill Jeremy Scott Hughes Jr. Michael E. Pierce Nicholas Sills Sean Mannion Michael Glynn Hayden Bilson Gregg H. Bilson Jr. Katrina Rice Chris "Woody" Wdowin Danny Riker Rusty Daugherty Miles Logan John Frazier Bruno Van Zeebroeck John Cazin Cynthia Braga David Amborn

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Special Effects Technicians

Special Effects Sculptor Special Effects Production Assistant Costume Supervisor Key Costumer Costumer to Ms. Woodley Costumer to Ms. Winslet Key Men's Costumer Key Ladies' Costumer Key Background Costumers Principal Set Costumers Specialty Costumer Background Costumers

Costumer Additional Costumes Designed by Background Fitters

Agers / Dyers

Cutter / Fitter Table Persons Seamstress / Draper Costume Production Assistants

Los Angeles Costumer Los Angeles Ager / Dyer

Ross Young Thomas Amborn Mancico "Troy" Cloud Donny Eidson Matthew A. Hall Anthony Herrera Joel Hobbie Fernando Garcia Maciel Alex Ramey James G. Thomas Luis Alexander Ulloa Dewaldt Hicks Anthony R. Herrera, Jr. Daniel Grant North Helen Monaghan Amanda Jenkins Sandi Figueroa Bob Moore Hans G. Struhar Robin E. McMullan Sean Haley Les Morgan Cheri Scout Reed Danny Dirks Dana Joel Bogdanski Mauricia Grant Jonathan Parra Korii Young Melanie Ghisays Carlo Poggioli Marla Hayes Jamie Hiney Margaret Palmer Fatima Stripling Timothy Wegman Chandra M. Telfer April J. Brown-Traquina Keith Hudson John Yehia Atrouni Fahima Atrouni Myra N. Foy Mary Monds-Christian Robert G. Hopwood Daniel Ernest Kinsey Lara Boydstone Kim Wilkins Melissa Pope Nancy Jarzynko Rhonda Earick

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Los Angeles Key Buyer / Shopper Los Angeles Key Prep Costumer Los Angeles Swatcher / Shopper Los Angeles Costume Illustrators Los Angeles Costume Production Assistants

Makeup Department Head Assistant Department Head Makeup Key Makeup Artist Makeup Artist for Ms. Winslet Makeup Artist for Ms. Watts Makeup Artist for Ms. Judd Background Makeup Supervisor Makeup Artists Additional Makeup Artists

Tattoo Designer Special Makeup Effects KNB KNB EFX Group Supervisor Prosthetics Makeup Artist for Ms. Spencer Special Effects Makeup Artists Hair Department Head Key Hairstylist Hairstylist for Ms. Watts Hairstylists

Additional Hairstylists

Atlanta Casting by Casting Assistant - Betty Mae Casting Casting Associate - Betty Mae Casting Atlanta Casting Associate Extras Casting by

Lynne Duggins Weir Tiffany Busche Paula Truman Phillip Boutté Jr. Christian Cordella Ani Babayan Michael Cohen Brad Wilder Denise Paulson Zsófia Ötvös Kimberly Jones Michal Bigger Moyra Mulholland Donna Premick Susan Ransom Tracey L. Miller-Smith Yvonne Eagle Patrice Coleman Noël Hernandez Laura "Hagen" Linss Jennifer Nieman Stephanie Ponder Judy S. Ponder Nico Sohn Michele Lewis Rick Stratton Greg Nicotero Howard Berger Carey Jones Margie Kaklamanos Mark Ross Travis Pates Yolanda Toussieng Lumas Hamilton Ryan Trygstad Wyatt Belton Cynthia L. Chapman Lane Holloway Deaundra Metzger Maurice Beaman Evelyn F. Roach Lisa Mae Fincannon, CSA Riva Cahn Thompson Jaceson Mann Dana Salerno, CSA Catrett Locke Casting Company Jamie Lynn Catrett Rose Locke

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Extras Casting Assistants

Second Second Assistant Director Additional Second Assistant Directors Key Set Production Assistant Set Production Assistants

Assistant to Mr. Wick Assistant to Ms. Fisher Assistants to Mr. Lieberman Assistant to Mr. Waldman Assistant to Mr. Hoberman Assistant to Ms. Woodley Assistant to Ms. Winslet Assistant to Ms. Watts Cast Production Assistants

Amity Children Acting Coach Factionless Children Acting Coach Dialect Coach Dialect Coach for Ms. Winslet Dialect Coach for Ms. Watts Studio Teacher / Welfare Worker Studio Teacher Animal Coordinator / Trainer Animal Coordinator Animal Trainer Construction Coordinator General Foreman Propmaker Foremen

Ressie Burtley Jack Montague Joe Nelson Justin Tucker Taylor Cruz Michael Saunders Kate Pulley Kevin Thomas Roy Matt Hibbard Josh Cleland Brandon Folsom Jacob D. Garrison Chelsea Korzenko Callie Powers Nayisha Bargblor Ashley Lewis Coalin Smith Kevin Speights Louisa Ballhaus Hannah English Mahzad Babayan Robert John Dubiel Andy Sorgie Shannon O'Neill Derek Steiner Jodi Hayes Rachael Clarke Georgia Williams Samantha Durkan Noah Sellman Mary McCusker Shannon Eubanks Tanera Marshall Susan Hegarty Elizabeth Himelstein Celena Shackelford Cater Lucas Moore-d'Ulasy Carol Lane Tresan Greg Tresan Eleanor Bryan Greg Callas Tedd Keith Peter "Paco" Alvarez Guy Hoffner

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Propmaker Gangbosses

Propmakers

Welding Foreman Welders

Supervising Painter Foreman Stand-by Painter Decorator Foreman Decorator Gangbosses

Brian W. Benavides Devlin Lerew Brent Regan Paul H. Roberts David Slater Joseph G. Voltolin, Jr. Nicholas Butcher Greg Eliot Ronald Fernandez Eric Giese Baha Halaby Mark S. Harbacheck Brett Hernandez Christian Andersen Steve Klimes Luis E. Mirassou David A. Rochow Bruce Sartorius David E. Sues John Vega Ralph "Butch" Votaw William "Tony" Whyte Corey Butler Craig Davidson Michael Fowler Gary Q. Grayson Richmond Scott Maney Jamie Michael Aaron A. Terrell James Bryant Wactor Billy A. Wade Frank Smoot David Dylan Wheeler Vance Allen Williams Ken Murphy Uriel Aguilar Vincent Amelio Ed Bearden III Brian Barnhart Jeff Berrington Timothy Shane Johnson Giovanni Ferrara Shea Soutar Chris Herrington Andrew J. Carter Michael A. Costello Troy Hope Joseph A. Northrop Craig T. Shordon

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Painters

Lead Sculptor Plaster Foreman Plaster Gangbosses HOD Carrier Plaster Laborer Foremen Laborers

Transportation Coordinator Transportation Captains Transportation Co-Captain Transportation Dispatchers DOT Administrator Driver for Mr. Schwentke Driver for Ms. Watts Drivers

Lamont Snipes George Stuart, Jr. Belle Rose Armstrong Allen Barajas Larry E. Farris Nicholas Hatfield Todd Hatfield Calvin Scott Sarena Bhargava Michael Abraham Cruz Brian Richard Fernandez Jared Trepepi Maximo Soto Tracy W. Turner Efrem Acosta Carlos H. Scally David Baptiste Devin Brennan Wesley Coleman Alan Downing Michael Edwards Tyler Giese Bertram David King Charles Painter Robert Reed Edric Stegall James Michael Sutton Jake Terrell William Al Willis Chris Watson Denny Caira Robert Kurt Brubaker Wally Frick Vincent R. Pecora Jayson K. Chang Rebecca W. Glew Craig Vogel Carl Parsons Kaiser Clark Mauricio J. Alvarez Van Lee Anderson Jim Babbidge Timothy S. Barker Albert F. Barker Cammie L. Caira Jeremy Carley Adam P. Chrisman

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Ryan Coble Joseph T. Crowe Christopher Dooley Dustin Faw Pam Hovies Stephen A. Joyce Glenn Knowlton Melissa Marie LaFon Haskell Loudermilk Ben F. Lowe III Johndaline S. Marston Chuck McClellan Evert "Jack" McClellan Tim McGaughy Fitzathor Miller Stuart Morlett John J. Muller Robert W. Pullen Hector Ramirez Cecil E. Ray James "JR" Robison Victor Ross Danny S. Rowe, Jr. John H. Russell III James Schulz Aaron Lane Smith Steve Sorkin Joe Sparks Dennis Steere Ted Visser Sandy Waters Rick Webb Sherry Webb Victor Ybiernas Caterer Assistant Caterers

Key Craft Service Assistant Craft Service

Tony's Motion Picture Catering (GA) Tony Kerum Apolinario Urrutia Pedro P. Gonzaga Mara Kerum Phi V. Lam Francisco J. Loera Jose Loera Garry E. Nazaire Britney Lozano Brooke Ruiz Lauren Aparicio Brody Lathan

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Set Medic Construction Medic Additional Medics

Set Security SISS, Senior Vice President SISS Security Officers Security Production Assistants

Product Placement

Clearances

Daniel G. Vice Theresa A. Khouri Laura Wren Boney Amanda K. Finley John W. Galbreath James L. Knight, Jr. Jason K. Rustin Stefano Smith Ray S. Warren II Bobby "Lee" Burks Dan Delage Screen International Security Services, Ltd. Randy Bowie Mike Stewart Sheldon Munford Kyle Allgood Micah Bearden Addie Davis Carson Horne Hayley Luhrs William T. Lynn Danielle Robinson Lucas M. Weaver Cameron White Pentmark Christy Adair Craig Romans Cleared By Ashley, Inc. Ashley Kravitz

Unit Publicist EPK Cameraman EPK Coordinator

Toni Atterbury Jim Mulryan Jesse Mattson

Aerial Footage by

Yonder Blue Films, LLC

Dialogue / ADR Supervisor Supervising Assistant Sound Editor Sound Designers Sound Effects Editors

Dialogue Editors

POST PRODUCTION Renée Tondelli Branden Spencer Jon Title Harry Cohen Hector Gika Tim Walston Dino Dimuro Dror Mohar Michelle Pazer Michael Hertlein John Stuver 67

Foley Editors

Craig Jaeger Lauren Hadaway Formosa Group Tom Y. Burns Jeremy B. Davis Sony Pictures Post Facilities, Culver City, CA

Sound Editorial Services Provided by Rerecording Mix Stage Technicians Rerecording Services Provided at Supervising Music Editor Music Editor

Bryan Lawson Sam Zeines

Dolby Sound Consultant Voice Casting by

Jim Wright Ashley Lambert - HoffmannBrow

2D / 3D Digital Intermediate & Dailies Provided by Supervising Digital Colorist Digital Colorist Digital Colorist Assistant Digital Intermediate Editors

Technicolor Hollywood Steven J. Scott Mike Sowa Carrie Oliver Nicholas Hasson Valance Eisleben Ray Horta Marisa Clayton-Rivera Jeff Mack Jeremy Voissem Eric Wolfinger Denise Woodgerd

Digital Intermediate Assistant Digital Intermediate Producer Dailies Colorists Assistant Dailies Colorist Dailies Project Manager Main Title Design and Production by End Titles by Editorial Services Provided by

Plucky Scarlet Letters EPS-Cineworks

Visual Effects Production Manager Visual Effects Vendor Coordinator Visual Effects Assistant Coordinator Visual Effects Data Coordinator Visual Effects Data Wranglers

Patrick Neighly Lisa Klein Andrew Prescott Alexander F. Chen Pasquale Greco Richard Shine Wes Dorough Brandon Brocker Meredith Carroll Zachary Kinney Adam Lima Jonathan McClintic Ariel Martian

Visual Effects Production Assistants Lead Compositor Compositors

SECOND UNIT Second Unit Director First Assistant Directors Second Assistant Directors

G.A. Aguilar Nick Satriano Trey Batchelor Keith Jackson 68

Jayson Merrill Heather Wusterbarth Second Unit Stunt Coordinator Production Supervisor Second Unit Director of Photography "A" Camera Operators First Assistant "A" Camera Second Assistant "A" Camera First Assistant "B" Camera Second Assistant "B" Camera DIT

Digital Loaders

Script Supervisors

Production Sound Mixers

Boom Operators Sound Utility

Video Assist

Key Grip Best Boy Grips Dolly Grips

Grips

Wade Allen Jennifer Campbell Lukasz Jogalla Kent Harvey, S.O.C Charles Schner Boots Shelton Tony Summerlin Timothy Ross Davis Basil Smith Kyler Dennis Eric Henson Zach Hilton Nick Hiltgen Cory Schulthies Bess Johnson Brejon Wylie Dea Cantú Mary J. Carlson Sandy Sands Michael Filosa, CAS Jim Hawkins, CAS David Terry Allen Williams Robert Vardaros Jorge Del Valle Kevin Cheatham Cooper Andrews Thomas Doolittle Michael G. Jones Chykeria Thompson Jay Ticer Aaron Gantt Nicholas Thompson Kurt Kornemann Brian Malone Dustin Evans Lea Miller Jack Glenn David Terry Matt Hardin Rick Kline Allen Robinson

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James Stockton Alex Khan Greg Weeks Gaffers

Dimmer Operator

Theodore Y. Bott Jay Douglas Kemp Hektor Stockton Jeff C. Sutton Brent D. Bazinski Barry McKochener Geoffrey F. Harper John Lally Paul Lappin David Mclendon David Miksch Mike Pearce Chris Pettus Stephen V. Raybourn Jared Greenstein

Key Costumer Key Set Costumer Seamstress

Paul Corricelli Shayne Allen Duhon Michael Swan

Best Boy Electric Electricians

Assistant Production Coordinator Office Production Assistant

Alex Capaldi Molly Laughlin

Second Second Assistant Directors

Christopher Blackmore Jason Scott Rachel Coscia Ethan Firestone Sarah Gorczyk Daniel Helms Eunita Isaac Sorrell Sanders Terence V. Steele Stephen Swisher

Set Production Assistants

Transportation Coordinator

Bo "Dirt" Johnson

Key Craft Service Assistant Craft Service

Sanford T. Hatcher Thomas Reagan Veteto, Jr. CHICAGO UNIT

First Assistant Director Second Assistant Director Aerial Director of Photography Ground Unit Director of Photography Helicopter Pilot

Andy Spellman Patrick Priest David B. Nowell, A.S.C Ted Lichtenheld Alan D. Purwin

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Aerial Ground Coordinators First Assistant "A" Camera Second Assistant "A" Camera DIT Digital Loader Video Assist

Visual Effects Production Assistant Key Grips

Grip Shotover Technician Location Manager Key Assistant Location Managers

Assistant Location Manager Location Assistants

Payroll Clerk Production Coordinators Assistant Production Coordinators Office Production Assistants

Second Second Assistant Director Set Production Assistants

Marine Coordinator Water Safety

Kevin LaRosa Ben Skorstad Paul DeMarte Eric M. Arndt Josh Ramos Scott Stevens J'mme Ihmad Love Andy Smith Jonah Ravine Virat Sharma Joseph F. Czerw Danial A. Miller Donny Miller Nick Miller Peter Graf Maria Roxas Adam Boor Nicholas Jamison Michael Wesley Brian Fairley Ralph Moran Gilbert Morales John Coughlin Amber N. Waters Dave Buehrle Dana Scott Jason Simmonds Stephanie Jeter Sarah Blue Winslow Gerber Mike Caviani Valerie I. Morasso Sarah Plunkett Dawn Terashima Robert Kreiling Tom O'Neill Genoa "Blue" Bennett Benjamin Bloom Pablo Gambatta Delwyn Harris Robert "Diamond" O'Quinn Matthew O'Connor Kris A. Jeffrey

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Transportation Coordinator Transportation Captain Drivers

Jimmy Hogan Victor W. Chin Dewey C. Deal Dave Delaney Dave Lent Sebastian Maniscalco Kevin Miller Arthur N. Ozawa Carmen Prestigiacomo James Tasior Charles Toribio Jr.

Craft Service

Michael McGinley

First Aid Set Medic

AnnMarie Oddo Daniel J. Coonley

Production Supervisor "B" Camera Operator / Steadicam First Assistant "B" Camera Second Assistant "A" Camera Second Assistant "B" Camera Digital Utility Digital Loader DIT Sound Mixer Boom Operator Grips

Rigging Grips

Electricians

Rigging Best Boy Rigging Electricians

ADDITIONAL PHOTOGRAPHY Mika Saito Chris Haarhoff Larry Nielsen Matt Jackson Danny Vanzura Cristi Hahn Nicholas Giannecshi Abby Levine Jim Stuebe Gregg Frazier Sean Knight Michael Sanutti Jeremy Wisham Scott Bobo Tray Downer Angela Fogle Thomas J. Johnson Christopher Mattox William D. Merrill Zach Saville Troy Toebben Cristen Clark Steve Sudge Kelly Clear Nick Fernandez Steve Zigler Shawn Coffman Stephen Grum Chris Houck 72

Basecamp Electrician Art Director Set Designer Storyboard Artist Illustrators Art Production Assistant

Daniel Lerch Alex McCarroll Scott Baker Jim Magdaleno Patrick Faulwetter David Swayze Amanda Berberich

On-Set Dresser Set Dresser Greensman

Scott Johnson Beth Wheeler Larry E. Scott

Property Master Assistant Property Master

Gary Tuers Donnie Bruno

Seamstress

Diane Harriday

Makeup Department Head Key Makeup Artist

Ed Henriques Gerry Quist

Accountant First Assistant Accountant

Robert George Jim Dunlap

Production Secretary Production Assistants Assistant to Mr. Wick & Ms. Fisher Assistant to Ms. Fisher Assistant to Ms. Watts Second Second Assistant Director Set Production Assistants

Lead Sculptor Propmaker Plasterer Sculptor Welder Laborer Drivers

Julie Pechanek Emily Cardone-Dennis Kristin Taylor Ellexa Marie Lexy Altman Adrien Moscovici James McGrady Greg Rothstein Bennet Gammon Val Drake Keith Crowe Will Marshall Matthew Green Roger Aguilar Sean Millerick Quincy Cason Geoff Christopher Joe Cook John Garner Derek Gober Randy Johnson Lewis Jones Jr. Matt E. Neel

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Stuart Shiff Sonny Victor Deidre Walker Safety Consultant UK Production Services by Great Guns Producers Line Producer Production Manager

Visual Effects by Visual Effects Supervisor Visual Effects Producer CG Supervisor 2D Supervisor Production Managers Line Producers Coordinators

Visual Effects Editors CG Sequence Supervisors 2D Sequence Supervisors Lighting and Rendering Supervisor Matchmove Supervisor Roto / Prep Supervisor Animation Lead Build Lead 2D Lead Artists

Environment TD Lead FX Leads

TD Leads

Build Artists

Kurt Miner Great Guns Ltd. Laura Gregory Sheridan Thomas Mathew Alden Dan Cleland

Double Negative Ged Wright Jenny Foster Alexander Seaman James Etherington-Sparks Rob Shears Tracey Leadbetter Sarah Cripps Lisa Hansen Vicky Gillett Livi Naylor Rory Jones Sam Girdler Mark Hunter Joseph Ferrant Tom Edwards Aline Sudbrack Kyle Goodsell Daniel Rauchwerger Laurent Hamery Abbie Smith Nathan Gardner Andrew McEvoy Tosh Danger Elliott Travis Porter Jean-Francois Leroux Luc Julien Robin Konieczny Katherine Pursey Robert Pearson Menno Dijkstra Andrew Cadey Christopher Anciaume Howard Fuller Iacopo Di Luigi Oleg Troy Alistair Darby

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TD

Environment TD

Andy Middleton Andy Potter Anna Yamazoe Charles Varenne Chi Kwong Lo Christopher Whittle Dale Rostron Daniel Axelsson Dirk Lambert Habib Niazi James Guy Jason Hue Jorg Unterberg Lee Tibbetts Leigh Russell Lucy Salter Malcolm Watts Marco Manzini Marieke Franzen Nestor Prado Patsy Yuen Peter Ocampo Robert Deas Roger Tortosa Aras Ryu Harada Youen Leclerc Zoe Lord Ahmed Yousry Alison Wortman Amanda Johnstone-Batt Andrew Baggarley Andrew Scrase David Fernandez Giron Emily L. Cobb Fabrizia Bonaventura George Plakides Giovanni Mascherpa James Tomlinson Jeffrey Kasunic Joel Green Leo Pettersson Malcolm Neailey Matt Sadler Michael Lyle Neil West Seth Dubieniec Tom Whitehead Tony Alamo Alban Orlhiac David Forsbrey

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Creature TD

FX

Animation

Digital Matte Painters

ATD Digital Compositing

Owen McGonigle Pierson Lippard William Foulser Adam Vanner Lars Johansson Nick Rampling Paul Boyd Adam Gailey Anton Nazareth Bertrand Garnier Cojocaru Nicolae-Gheorghe Craig Tonks Daniel Maund Dennis Toufexis Dirk Becker Evrim Akyilmaz Fernando Benitez Jason Harris John Dowell Louis "Manja" Manjarres Lukas Niemczyk Matt Flicker May Leung Nicholas Papworth Nicole A. West Pablo Gimenez Robert Brumby Robert Zeltsch Xavier Lestourneaud James Farrington John Sung Kevin O’Sullivan Mario Antonanzas Matthieu Poirey Sean Hurley Serena Cacciato Andrew Williamson Anthony Wonsoff Hovig Alahaidoyan Jonathan Opgenhaffen Nathan Hughes Nigel Wagner Andrew Leeuwenberg Adam Hammond Adam Trowse Bart Barendregt Ben Dick Ben Taylor Benjamin Scabell Christine Wong

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Prep / Roto

Tracking

Stereo TD Data Management

David Aulds David Schott Dean Koonjul Eli Ferre Ewoud Heidanus Francesco Cosatti Giacomo Matteucci Helen Johnson James Foster Jessica Smith Jim Steel Joe Engelke John OLone Jonathan Knight Judy Barr Lester Brown Lies Veldeman Luke Bigley Mary Stroumpouli Matthew Jacques Moray Caldwell Richard B. Stay Rodrigo Dorsch Sabina Bihlmaier Sam Dawes Sarah Lockwood Serena Lam Stephen Kennedy Susanne Becker Thomas Salama Tom Hocking Tom Pegg Tom Whittington Wayne Chan Yuka Hosomi Aaron Noordally Adam Broderick Adam Walker Alejandro Vela-Castro Bhavik Patel Kevin Norris Kristofer Whitford Benjamin Courtin Kevin San Radhika Patel Matt McKinney Africa Aguirre Alan Herbert Kat Tysoe Laurie Pellard

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Research and Development

Tech Department

Grading

Lisa Wood Miles Drake Pete Hanson Phil Pendlebury Adrian Jeakins Emmanuel Turquin Greg King Ian Masters James Roberts Jeff Clifford Jerry Huynh Jon Stroud Justin Sneddon Nick Avramoussis Peter Seager Charlotte Farrell Nazma Raichuri Peter Jones Simon Speight Matthias Scharfenberg

Double Negative Singapore Visual Effects Supervisor Stuart Farley Visual Effects Producer Kilou Picard Line Producers Neh Jaiswal Sharna Hackett Aylwyn Goh Coordinators Vanessa Seow Editorial Struan Farquhar Simon Pynn Matchmove Supervisors WeiKian Ang Roto / Prep Supervisors Michael Baldemoro Elham Senin Roto / Prep Line Producer Harrison Goldstein Eng Sze Jia Roto / Prep Coordinator Calvin Fong Roto Lead Artist Roto / Prep Assistant Syuhada Hassan Digital Matte Painting Supervisor Tim Clark Dong Hun Kang Digital Matte Painters / Concept Artists Mohd Faizal Brett Reyenger Digital Compositing Julian Chong Kunal Chindarkar Michelle Goh Varun Hadkar James A.J. Miller Environment TD Jia-Hao Ng Leah Low Lionel Taillens Build Artists Cao Ye Duncan Kuah

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TD Prep

Roto

James D.Y. Lee Joshua Robinson Luan Nguyen Nizhen Phang Tim Shim Yong Jin Kim Arild Anfinnsen Martin Johansson Abhishek Chaturvedi Alexandre Bain Chia Cheow Hong Chris Tay Chuan Xiong Sim Elicia Koo Favian Ee John Abraham Chempil LeongKit Wong Nadia So Nicolas Lim Nithin Babu Ong Choon Juan Ricky Cheung Saurabh Arora See Shae Lyn Shermaine Toh Siew Jia Yi Tan Choon Xuan Upasana Shanker Vijin Sukumaran Wong Kai Wing Yvonne Oh Adeline Chan Andrea Chua Atiqah Busairi Benny See Caroline Chai Cookie Chee Danielle Siah Felix Tan Haji Hasnadi Iqbal Khan Jacky Toh Janice Chandra Jerrod Tan Joan Ng Joanne Tai Johnny Lee Ken Yap Kuah Kai Siang Melvin Hong

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Tracking

Data Management Tech Department Visual Effects by Executive VFX Supervisor Senior VFX Supervisor Associate VFX Supervisor Senior VFX Producer VFX Producers

Michael Baker Nazira Kassim Nicole D'Cotta Rachel Foo Rosli Zainal Yue Jun Xian Alvin Chia Amanda Seah Amir Shaazza Amit Narwani Caleb Choo Cedric Ling Collin Hee Cyrus Ongg David Chia Dax Chew Dione Quek Esther Yap Eunice Ong Evelyn Chow Gabriel Tan Geng Tong Neo Henry Chua Jeremy Wong Kenneth Chua Lau Choon Ming Lim Chew Teng Lim Pei Shan Michael Tan Nafisah Mohamed Sean Shia Tan Zheng Wei Theophane Tan Vikram Mohan Walter Goh Wayne Er Wayne Lim Boon Chian Yang Cheng Yong Jie Wong Eric Bachtiar SauYan Wong Ben De Luca Luma Pictures Payam Shohadai Vincent Cirelli Jared Simeth Steven Swanson Michael Perdew Steve Griffith

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CG Supervisors DFX Supervisors Lead Digital Coordinators Digital Coordinators

Junior Coordinator Technical Coordinator Head of Business Relations Business Relations Associates Animation Supervisor Lead Animator Animators

Junior Animators

Character TD Supervisor Character TD Design Supervisor Lead Model / Texture Artist Model / Texture Artists

Junior Model / Texture Artist Senior Effects TD Effects Artists 2D Supervisor Lighting Supervisor Lead Compositors Lighter / Compositors

Pavel Pranevsky Richard Sutherland Justin Johnson Gil Baron Catherine Hughes Justin Porter Derek Weil Beth Senn Crisanta Melendez Cole Darby Timothy Bond Shantelle Isaaks Daniel Kepler Lindsay Hallett Katryna Shattuck Marla Neto Raphael Pimentel Marco Capparelli Alon Helman Anthea Kerou Monika Gelbmann Stewart Alves Justin Brunett Justin Tirado Meg Grube Thanapoom Siripopungul Marcos D. Romero Loic "e338" Zimmermann Anthony Grant Aaron Colman-Hayes Cosmin Hrincu Daniel Riddle Dulshan Keragala Eric Valdes Jonathan Sabella Kendrick Khoo Oded Raz Rusty Currier Schiller Jean-Louis Jr Tadao Masuyama Tom Newbury Kyoungsoo Min John Cassella Karl Rogovin Rick Fuentealba Alexandre Cancado Brendan Seals James Waterson Ryan Trippensee Alex Khan

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Junior Lighter / Compositors Compositors

Paint / Roto Artists

Tracking Artists

Senior Systems Administrators

Systems Administrators

Junior Systems Administrator Pipeline Supervisor Lead Pipeline TD Pipeline TDs Junior Pipeline TDs

Bernardo Spadafora Christopher Miller Carson Crawford Didier Levy Francisco Exposito Gian Ignacio Lombardi Gregory Ng Joe Censoplano Joey Sila Jun Eun Kim Lucas Pozzey Marie Denoga Michaela Danby Sam Tull Satoshi Harada Sonia Yu Ai Lim Will Lovett Daniel Lee David Edwards Francesco Cadoni Marc Schoenbeck Cameron Sorgi Christian Salvador Daniel Svaboe Garrett Wycoff Marcel Caue Martins Maryam Riahi Michael Launder Nathan Zeppel Rob Hamilton Shantel Medina Shawn Sahara Lenny Gordon Robert Genito Ruy Santos Delgado Viviana Torrellas Nha Hoan Le Brent Hensarling Joanna Anthony Fletcher Hogan James Hancock Joel Pollack Ryan Sandvik Rares Hornet Chad Dombrova Paul Molodowitch Nathan Rusch Nick Kendall-Bar Paul Katzen

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Web Developer Head of Culture Culture Manager Culture Coordinators Culture Assistants Finance Manager Co-Founder Visual Effects by Visual Effects Supervisors Visual Effects Producer CG Supervisor Lead Designer Motion Graphics Artists

Visual Effects Production Supervisor Visual Effects Coordinators CG Artists

Compositing Lead Compositing Artists

Roto Supervisor Roto Artists

Sam Bourne Chris Lyon Jamy Kim Mei Lai On Ashley E. Green Chloe Sesta-Jacobs Hugo Sands Zachary Eggers Rhea Espino Jonathan Betuel Animal Logic VFX Paul Butterworth Kirsty Millar Jason Bath Matt Estela Anna Fraser Duncan Elms Sam Scopelliti Sam Hoh Carmen Perez-Marsa Roca Ilona Blyth Tu Nhi Lam Elias Atto Aevar Bjarnason Patricio Alejandro Ducaud Damien Lam Timothy Eustace Major Tamas Molnar Jonathan Ravagnani Mike Thomson Alex Fry Niki Bern Kate Bernauer Jonathan Bot Tom Collier Zelko Dejanovic Yoav Dolev Tyson Donnelly Phillip Lange Alex Lay Thomas Middleton Angelo Perrotta Shane Rabey Kazia Roach Avi Salem Ken Stewart Vaughn Arnup Josh Azzopardi David Costello

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Matchmove & Layout Lead Matchmove Artists

Layout Artists VFX Editorial TDs Support Staff

Visual Effects by VFX Supervisors VFX Production Manager Compositing Supervisor CG Supervisor VFX Coordinators

CG Artists

Compositors

Josh Hulands Monique O'Halloran Guy Masonwells Matt Roe Vaughan Walsh Ben Wotton Bhakar James Laurence Chong Amy Furey Nathan Jennings Corin Sadlier Dane Armour James Bleakley Keiran Lee Daniel Scott Mark Streatfield Elana Andersen James Bishop Daniel Lopez Kevin Ng Method Studios Olivier Dumont Laurent Gillet Mark Webb Jonathan Cheetham Damien Stumpf Jayce Attewell Dani Light Anna Gispert Suzie Askham Tristan Connors Romain Charoy David Drese Peter Forsyth Frederic Fourier Yann LeCorre Steven Lovell Shoichi Matsubara Stefan Mayr Daniele Orsetti Jon Ossitt Alessandro Righi Tom Stanton Daniele Tagliaferri Jack Zologa Ruth Deane Samuel Jorgensen Jakub Pruszkowski Giorgia Pulvirenti

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Matte Painting

VFX Editors VFX SVP Production / EP Visual Effects by VFX Producer VFX Supervisor 2D Supervisor VFX Co-ordinator VFX Editor Modelling Supervisor Modellers

Texture Supervisor Matchmove Supervisor Rigging Supervisor FX Supervisor FX TDs Crowd TD Animators Lighting TDs

Pipeline TD Matte Painting Compositors

Visual Effects by Visual Effects Supervisor Visual Effects Executive Producer Visual Effects Producer Visual Effects Coordinator Compositors

Stephen Smith Giuliano Vigano Jenny Wan Tim Holleyman Chris Sanchez Matt Friedlander Olivier Pron Michael Harden Rachel McPherson Gabby Gourrier Milk Visual Effects Jenna Powell Nicolas Hernandez Sara Bennett Mariangela Suma Collette Nunes Sam Lucas Marc Joubert-Nederveen Jason Brown Stefan Brown Gavin Platt Henry South Amy Felce Neil Roche James Reid Dominic Carus Luca Zappala Nick Webber William Correia Joe Tarrant Jan Schubert Adrian Williams Bastien Mortelecque Darren Byford Benoit Leveau Turlo Griffin Simon Wicker Henning Glabbart Matias Derkacz lola | VFX Jeremiah Sweeney Thomas Nittmann Max Leonard Allison Paul David Levine Yuki Uehara Cliff Welsh William Barkus

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Chris Cabrera Drew Huntley Scott Balkcom Dan Bartolucci Greg Meadows Erik Werlin Visual Effects by Visual Effects Supervisors Visual Effects Producer Compositing Supervisor Digital Compositors

Crafty Apes Chris LeDoux Tim LeDoux Jason Sanford Mark LeDoux Thuy Le Tristan Brown Josh Stevens Joshua Bailor Teddy Cheong Blake Goedde Nick Johnson

Visual Effects by

capital T

Visualization by Previs Supervisor Previs Lead Previs Artists

The Third Floor Visualization Studio Austin Bonang Heather Flynn Brett Magnuson Matt McClurg Jon Baldwin Roger Liu Jordan Emerick Peter Wu Keren Albala Greg Breitzman Keith Matz Kyle Hause Mike "Pharoah" Barrett Elaina Scott Todd Constantine Vardan Petrosyan Manuel Bover Gil Hacco Jourdan Biziou Rebecca Ruether David Bohorquez Krisztian Majdik Chris Edwards Kerry Shea Charlotte Nelson Nathalia Murray

Previs Editor Previs Creative Supervisor VP of Production Production Manager Previs Coordinator

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Pre-Visualization by Previs Supervisor Animator Previs Artists

3D Scanning and Modeling by Lidar Supervisor Lidar Technician

NeoReel Inc. Marc-André Guindon Nicolas Grenier Hugo Lamontagne Magali Garceau Anthony Brunelle Jeffrey Esteban Lidar Guys Jed Frechette Andy Ellwein

Gentle Giant Studios a 3D Systems company Stereoscopic Supervisor Scott Willman Stereoscopic Producer Heather Willman Stereoscopic Production Manager Jason Ramsey Stereoscopic Editor Wayan Palmieri 3D Conversion and VFX Provided by Stereo Supervisor Stereo Producer Stereo Compositing Supervisor Depth Supervisors

Stereo VFX Coordinator Stereo Coordinators

Department Coordinators Production Assistants

Depth Grade Operator Stereo Editor Lead TD Technology Supervisor Pipeline TD Additional Stereo Supervision L3D Executive Producer L3D Creative Executive L3D Head of Production Lead Stereo Artists

Legend3D Matthew DeJohn Tyler Bennink Matthew Kemper Jenny Dolan Dan Eues Cyrus Gladstone Keith Griego Zack Melton Tiku Fisher Zack Haddad Jessica Ozbirn Caprice Paxton Daniel Ricwulf Clayton Samuels Natalie Tejada Christy Williams Jeff Manchester Thea Warren Joren Anderson Dominique Libungan Kayla Rand H.R. Barnett Jack Runyon David Ireland Christie Gangnath Ryan Albertson Adam Ghering Matt Akey Jared Sandrew Chris Del Conte Kamran Arian Brad Banda 87

Stereo Artists

Jared Buford Kyle Bundgaard Sean Callahan August Christman Ryan Cummins Anthony Garcia Trevor Graciano Solana Hagler Eric Heaton Brad Kaiser Keith Kolod Adam Lauwers Kim Martinez Ken Nelson Gloria Nguyen Joo-Hwan Park Ryan Ramsey Andrew Rhinehart Erasmo Romero Daniel Sandoval Matt Smith Carla Sparrow Ted Trabucco Tyler Wheeler Aileen Acayan Cameron Ake Israel Alatorre Troy Alexiadis Tovonaina Andriamampionona Mathieu Bacchous Matt Barnes D.J. Becerral Richard Bendo Chris Bloom Annie Breedlove Jonah Brennan Joshua Bristow Matthew Busse Sarah Canale Nicolas Casanova Peter Charron Christine Clippinger Agustin Cortes Nic Davidson Rikk Davis Josh Deason Reyna Delaney Tim Diem Kenny Dietrich Adam Dunn

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James Eggleston Randahl Elkins Erick Escobales Andrew Farris Kathryn Fay Javier Fernandez Juan Ferra Megan Flanagan Anthony Florio Sarah Foff Lloyd Garcia Philip Gordon Andrew Hall Jeremy Hall Andrew Harris Shizue Harrison Jason Hebert Kimberly Henry Kim Hickey Brian Hong Jeremy Houtz Amanda Hyland Phillip James Quan Jiang Jake Jones Alana Kochno Jonathan Kreycik Earnest Langdon Shae Lepere Matthew Lim Alexander Limpin Chris Liu Marc Llorin Jason Lodas David Magee Joe Marut Nathan Mateo DJ Matias Lliam McMahon Brandon Mcmenamin Taylor Meraz Summyr Montesanto Carlos Morales Javier Moreno Arslan Naqvi Brian Neil Wendy Nguyen Vincent Nguyen Charlie Nicholson Ryan Parker

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Leo Plasencia Brian Praamsma Taryn Reetz Josiah Reeves Steve Romero Mario Rosales Alejandro Rubio Tim Rudolph Julius Santos Kristine Schmitt Cameron Shepler Matt Sidebottom Kassandra Sisk Kris Sison Trystan Snodgrass Mark Soraci Perry Stoutt Wessley Summers Michael Sweetser Sunny Thipsidakhom Oscar Torres Panida Umrapal Ben Ussher Chloe Valdecantos Kealani Vanderleest Matthew White Adam Will Jessica Wolff Eddie Wolfson Jorge Zarate 3D Conversion and VFX Provided by Executive Producer Stereoscopic Supervisors Art Supervisors

Production Management

Gener8 Paul Becker Ben Breckenridge Sarah Young Melissa Best Jason Bowers Dan Carnegie Tim Chou Marlon Engel Robert Lau Peter Pelisek Vikas Rajput John Rix Theodore Sandifer Frank Benton Ethan Casper Kristy Chrobak Josephine Dwyer Eileen Gallagher

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Assets

Daniel Langlois Warren Larkam Alex Locasale Sean Meek Sarah Murray Jason Navarro Cheryl Smith Marissa Ahn Mona Ali Mauricio Amezcua Derek Anderson Danasa Argadia Jyoti Arora Austin Baerg Jared Bonin Odemaris Burgos Rocha Meagan Byrt Angel Carrasco Gerardo Castro Iturrios Michael Cha Stephanie Chan Shirin Chawla Cory Clarkson Senh Dang Joshua DaSilva Vance Dehne Eldon Derksen Daniel Duncan Rogiero Fernandez Camila Francisco Vikas Ganer Susan Gao Emmanuel Guevarra Ryan Hamar Aleksandar Hardi Jose Hidalgo Mani Hrafnsson Heather Hughson Hyungbae Jang Tifannie Jacoubsen Jaeyoung Jang Ji Eung Kim Chandrasekhar Krishnan Erika Lehner Kelvin Leung Lei Liu Yves McCrae Alex Martinez Adem Memedi Shane Miles

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Compositing

Jason Negreiff Zachary Ng Brian Nguy Judy Nguyen Carlos A. Oceguera Sierra Shanelle Padilla Connor Poloni Jushua Provido Tananuch Phosri Johanna Ramos Santiago Donaji Zuniga Rojas Faozan Salman Abraham Sanchez Del Villar Federico Sella Natalie Smith Ming Sian Justin Tan Randy Tecson Gavin Templer Jessa Mae Valdez Ricardo Velez Keven Viragh-Begert Ian White Margaret Ying Hao Yu Aslan Zamaev Daniel Avery Murat Ayasli Brandon Barney Nathan Behmlander Caleb Bomysoad Tasha Brotherton Esteban Ali Camacho Daniel Carpenter Owen Cartagena Erik Classen Joseph Connery Maurice Cox Jayson Davis Gayanath Dayasundara Robin Dutta Rafael Echegaray Yazmin Garcia Rino George Sooman Ginze Alvin Grado Cody Graham Jan Paul Hoshi Dorr Craig Houston Michael Jimenez JoAnna Johnson

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Production IO / VFX

Production Technology

Color by

Bruno Kawabata Ryan Keely Nirmal Kumar Puneeth Kunnatha Dave Ladner Brendan Llave Giles Longman Brian McCann Francisco Massanet Jesse Meler Ivanna Mikhaylova Eric Mitchell Greg Nazarian Sami Oms Liana Padilla Joshil Patel Ipyana Ponder Tina Rangel Robert Reategui Alexander Reid Michael Sanders James Shaw Billy Smith Dan Stein Jenna Sunde Brian Thomason Joseph Villa Samuel Warner Bret Watkins Brittany Wetzel Cobol Yu Maksim Bentsianov Sandy Coles Brandon Doty Shenyan Liu Michael Souvage Errol Stussi David Willinsky Lei Zhang Katrina Archer Thomas Baxter Bryan Ewert Colin Jenken Andrew Joe Russell MacKenzie Paul Stark Neall Verheyde Liang (Larry) Wang Technicolor

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Prints by Lab Color Timer Scheduler Sales Executive

FotoKem Mato Der Avanessian Perry Suppa Larry Michalski

FOR SUMMIT ENTERTAINMENT Co-Chairman, Motion Picture Group Rob Friedman Co-Chairman, Motion Picture Group Patrick Wachsberger Co-President, Motion Picture Group Erik Feig Michael Paseornek President, Motion Picture Production EVP, Production & Development Gillian Bohrer VP, Production & Development Jeyun Choi Munford VP, Production & Development Matthew Janzen Assistant to Mr. Friedman Assistant to Mr. Wachsberger Assistants to Mr. Feig Assistant to Mr. Paseornek Assistant to Ms. Bohrer Assistant to Mr. Janzen & Ms. Munford Vice President, Production Finance Vice President, Production Accounting Vice President, Production Supervisors of Production Production Executive Manager of Production & Development Production Finance Coordinator Executive Vice President, Business & Legal Affairs Executive Vice President, Business & Legal Affairs Executive Vice President, Business & Legal Affairs Senior Vice President, Business & Legal Affairs Senior Vice President, Business & Legal Affairs Senior Vice President, Business & Legal Affairs Vice President, Business & Legal Affairs Attorney, Business & Legal Affairs Senior Credits Coordinator Credits Assistant Assistant to Ms. Laucella Assistant to Mr. Melnik Assistant to Ms. Chiaramonte & Mr. Strina Chief Marketing Officer EVP, Worldwide Theatrical Publicity EVP, Digital Marketing SVP, Theatrical Marketing SVP, Theatrical Marketing

Rachel Scheer Deborah Ortega Nirokhi Raychaudhuri Amanda Kruse Dana Gills Matthew J. Bakal Hannah Harris Mark Pedante Jeff Dash Curtis A. Miller Bree Bailey Ami Cohen Jerry P. Jacobs Kyle Benn Cara Smiczek Patricia Laucella Robert Melnik John Biondo Deborah Chiaramonte Philip J. Strina Charlyn Adkins Amy Tillman Marc Shapiro Chris Mello Karina Garcia Allyson Kloster Jennifer Kristin Cox April Stewart Tim Palen Julie Fontaine Danielle DePalma John Fu Doug Lloyd

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SVP, Worldwide Promotions & Consumer Products SVP, Head of Feature Post Production Vice President, Feature Post Production Visual Effects Executive Manager, Feature Post Production Senior Post Production Coordinator Post Production Coordinator Post Production Assistant Executive in Charge of Film Music General Manager & EVP, Music Business Affairs Music Executive Music Budget Supervisor Manager, Music Business Affairs Music Coordinators Assistant to Mr. Armstrong Assistant to Mr. Wohl Music Clearance and Licensing Executive Vice President, Finance Screening Operations Executive Cameras Provided by Camera Cranes & Dollies Provided by

Camera Car by Shotover Camera System Supplied by Grip & Lighting Equipment Provided by Payroll Service Provided by Insurance Provided by

Production Financing Provided by

Completion Guaranty Provided by

Immigration Law & Work Visas

Paula Kupfer Carl Pedregal Mark W. McCoy Kathy Chasen-Hay Ariana Young Justin Powell Kimi Rosenthal Eric Van Dyn Hoven Carter Armstrong Lenny Wohl Trevon Kezios Chris Brown Karen Sidlow Ryan Svendsen Nikki Triplett Rona Rapadas Ally Wigmore Christine Bergren Wescott A. Guarino Timothy Ralston Arri CSC Cineverse Pro-Cam Georgia Monster Remotes Panavision, Inc. Cinemoves Incorporated Chapman / Leonard Studio Equipment, Inc. Chapman / Leonard Studio Equipment, Inc. Team5 Paskal Lighting Entertainment Partners Arthur J. Gallagher Entertainment Insurance Services Brian Kingman Theresa Balaszi Rodney Isaac Comerica Entertainment Group Jeff Colvin Adam J. Korn Derek Riedel Film Finances Inc. David Bennett Ivener & Fullmer LLP David R. Fullmer

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Bonnie Sisson Music Recorded and Mixed by Orchestrated and Conducted by Orchestrators Music Preparation by Music Librarian Orchestra Contractor Assistant Orchestra Contractor Orchestra Leader Piano Soloist Music Recordist Music Coordinator Additional Music Arranger / Technical Score Coordinator Scoring Editor Scoring Assistants

Mix Assistants

Musical Sound Design

Orchestra Recorded at Music Mixed at

Satoshi Noguchi Joseph Trapanese David Butterworth Jennifer Hammond Booker White, BTW Productions Jill Streater Isobel Griffiths Susie Gillis Thomas Bowes John Lenehan Adam Miller Meghan Currier Jason Lazarus David Channing Mike Daniels Keir Schmidt Dylan Shyka David Stern Laurence Anslow Gordon Davidson Colleen Lutz Miles Cole Judson Crane Eskmo Al Nelson Brian Parkhurst Michael White AIR Lyndhurst and Abbey Road Studios, London Sony Pictures Studios, Culver City

Soundtrack Available on Interscope Records "Holes In the Sky" Written by Anthony Gonzalez and Dia Frampton Performed by M83 and HAIM M83 appears courtesy of M83 Recording, Inc. HAIM appears courtesy of Columbia Records "Blood Hands" Written by Michael Kerr and Ben Thatcher Performed by Royal Blood Courtesy of Warner Music U.K. Ltd. By arrangement with Warner Music Group Film & TV Licensing "Never Let You Down" Written by Yoann Lemonine, Lykke Li Zachrisson and Jeff Bhasker Performed by Woodkid featuring Lykke Li

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Woodkid appears courtesy of Green United Music Lykke Li appears courtesy of LL Recordings "The Heart of You" Written by Andrew Wyatt Performed by Anna Calvi Anna Calvi appears courtesy of Domino Recording Company Ltd "Sacrifice" Written by Zella Day, Xandy Berry and Wally Gagel Performed by Zella Day Courtesy of Hollywood Records, Inc. "Carry Me Home" Written by Christopher Taylor and Joseph Trapanese Performed by SOHN SOHN appears courtesy of 4AD Records By arrangement with Beggars Group Media Limited SPECIAL THANKS This project was completed with assistance from the Georgia Film, Music & Digital Entertainment Office, a division of the Georgia Department of Economic Development. Visual effects produced in Melbourne Australia with the assistance of Film Victoria

Mailing Avenue Stageworks, LLC John Raulet Serenbe and Serenbe Farms High Museum of Art, a division of the Robert W. Woodruff Arts Center, Inc. Chicago Transit Authority Robert S. Kaufmann, MD, FACP Mac Stila Natura Bisse Dermalogica Tarte Murad Ocean Potion La Prairie Filmed at EUE / Screen Gems Studios Atlanta, Georgia American Humane Association monitored the animal action.

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No animals were harmed®. (AHAD 04844) ARRI ALEXA

Prints by Fotokem

Technicolor

TEAMSTERS

IATSE

SAG / AFTRA

PGA

DOLBY ATMOS®

DATASAT® NO. 49592

MOTION PICTURE ASSOCIATION OF AMERICA, INC.

© 2015 Summit Entertainment, LLC. All Rights Reserved.

The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual events or firms is purely coincidental. Ownership of this motion picture is protected by copyright and under the other laws of the United States and all other countries throughout the world. All rights reserved. Any unauthorized duplication, distribution, or exhibition of this film or any part thereof (including soundtrack) is an infringement of the relevant copyright and will subject the infringer to severe civil and criminal penalties, and/or criminal prosecution. THE DIVERGENT SERIES: INSURGENT

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