Volume 75, Number 3

April 29, 2018 | Author: Anonymous | Category: Business, Economics, Microeconomics
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Summer 2010, Volume 75, Number 3

Special Cluster Enterprise and Drama: Performing Capital on the American Stage Introduction Ilka Saal and Ralph J. Poole

3

Postmodern Aesthetics and Postindustrial Economics: Games of Empire in Suzan Lori Parks’s Topdog/Underdog Jochen Achilles

11

“Dirty Sexy Money”: Commodified Identities and Acts of Consumption in Chirstopher Shinn’s Other People and Where We Come From Sabrina Hüttner

25

“How Do You Think We Get to Pottery Barn?” Mainstream Gay Drama, Homonormativity, and the Culture of Neoliberalism Leopold Lippert

41

The Amateur Hour: On Value, Personality and the Form of Appearance in the Economy of Attention Giulia Palladini

61

Essays Putting Down Parking Lots out There in Unpaved Paradise: Toni Morrison [en]Counters American Cowboy Culture Susan Neal Mayberry 83 Youthful Resentment, Bourgeois (Anti-)Heroism and Sublime Unrest: Conrad’s “The Duel” and Ridley Scott’s The Duellists Flavio Gregori 109

Review Essay Towards a More Human T.S. Eliot: Two New Books Frances Dickey

131

Book Reviews Approaches to Teaching Lazarillo de Tormes and the Picaresque Tradition edited by Anne J. Cruz (Amy P. Alfieri)139

Summer 2010, Volume 75, Number 3

The Heart in the Age of Shakespeare by William W. E. Slights (Hilary Binda)141 Cat on a Hot Tin Roof by Tennessee Williams edited by Philip C. Kolin (Lori Brister)145  Tratado de la superstición occidental by Alberto Ortiz (María Jesús Zamora Calvo)146 Erasmus and Voltaire: Why They Still Matter by Ricardo J. Quinones (Thomas L. Cooksey)148 Cultura y letras cubanas en el siglo XXI edited by Araceli Tinajero (Linda Crawford)151

An Anthology of Nineteenth-Century Women’s Poetry from France edited by Gretchen Schultz (Nancy Sloan Goldberg)153 Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions by Fred Botting (Melissa McLeod)156

Summer 2010, Volume 75, Number 3

William Faulkner: Seeing Through the South by John T. Matthews (Clay Motley)160  Notes on Contributors 163

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